书体:

色彩:

浅设色

装裱形式:

册(蝴蝶装‧方幅式)

创作时间:

明世宗嘉靖十二年（1533）

文字类型:

质地:

本幅纸

释文:

印记资料:

作者印记：征仲父印
作者印记：衡山
收传印记：莲泾

题跋资料:

题跋类别：题跋；作者：英和；题跋位置：本幅；款识：无；；书体：行楷书；全文：南国联芬。（嘉庆御制标题。英和录。）

题跋类别：题跋；作者：英和；题跋位置：本幅；款识：无；书体：行书；全文：（嘉庆御制诗。英和录。文不录。）印记：秀色入窗虚、笔端造化

主题:

主要主题：花草栀枝 主要主题：花草茉莉 

技法:

写意 

参考资料:

收藏着录： 石渠宝笈续编（御书房），第四册，页1997 收藏着录： 故宫书画录（卷六），第四册，页46-47 收藏着录： 故宫书画图录，第二十二册，页280-283 内容简介（英文）： A native of Ch'ang-chou (modern Soochow), Wen Cheng-ming excelled at poetry, painting, and calligraphy. He learned painting from Shen Chou and was one of the Four Masters of the Ming.These two blossoms of autumn have an alluring fragrance. Here, they were done in the “ink outline (pai-miao)” method, in which the jasmine leaves are in ink and the osmanthus leaves in green to which lines were added for the veins. These fluid lines suggest an endless sense of life. This is the 6th leaf from We's “Album of Flowers”, which was done in 1533 when he accepted an invitation to Hsü Chin's home on West Mountain at Tung-t'ing. In a moment of high spirits while there, he completed this album based on the flowers that he saw before his window.