书体:
色彩:
浅设色装裱形式:
册(蝴蝶装‧方幅式)创作时间:
文字类型:
质地:
本幅纸释文:
印记资料:
题跋资料:
题跋类别:作者款识;作者:黄公望;题跋位置:本幅;款识:大痴;书体:行书;全文: 印记:大痴道人主题:
主要主题:山水 ;其他主题:山水江河、湖海 ;其他主题:山水溪涧、湍泉 ;其他主题:人物高士(士人、隐士)隐士;其他主题:树木 ;其他主题:树木寒林.枯树枯树;其他主题:建筑茅草屋茅庐;其他主题:建筑篱笆、围墙篱笆技法:
写意 皴法披麻皴人物衣纹描法(减笔) 苔点参考资料:
收藏着录: 石渠宝笈初编(重华宫),下册,页735-736 收藏着录: 故宫书画录(卷六),第四册,页199-200 收藏着录: 故宫书画图录,第二十九册,页214-219 参考书目: 1.邱士华,〈传元黄公望山水〉,收入何传馨主编,《山水合璧:黄公望与富春山居图特展》(台北:国立故宫博物院,2011年五月初版一刷),页358。 内容简介(中文): 此作画白衣文士端坐崖边草庐中,前有奇石,后有巨峰,四周围以篱笆林木,一侧树列斜下江面,隔江远山数叠。点景人物及草庐用笔细弱,山石林木运笔急促,结构较凌乱松散。画幅左上方大癡款印均系伪添。画幅近景右下角岩块,与远景巨峰矾头,以硬直皴线率意折搭交错,再以浓墨点苔或作林木点缀,颇类蓝瑛(1585-1664)山石的表现方式,故此作应为明末清初浙派后期画家之仿作。(20110609) 内容简介(英文): This painting depicts a white-robed scholar sitting in a thatched hut by a cliff. In front are decorative rocks with a massif rising behind. Surrounded by a fence and trees, they line up on one side towards the river with layers of mountains in the distance on the other. The brushwork for the figure and hut are thin and delicate, the brush movement for the landscape elements being quick and rapid while the structure relatively loose and disordered. In the upper left are a Huang Gongwang seal and his signature “Dachi,” which is a later spurious addition.The rocks in the lower right corner and the large alum-head mountains in the distance are all done in stiff and straight texture lines that directly intersect. With the moss dots in dark ink embellished as trees, it is similar to the landscape method of expression used by Lan Ying (1585-1664). As a result, this work is probably an imitation done by a late Zhe School painter of the late Ming or early Qing period.(20110609)