书体:

色彩:

水墨

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢对幅绢

释文:

印记资料:

鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
收传印记：子渊印

题跋资料:

题跋类别：作者款识；作者：李在；题跋位置：本幅；款识：李在；书体：行书；全文： 印记：合家□□题籤   ；书体：楷书；全文：李在画圮上授书。

题跋类别：题跋；作者：清仁宗对幅甲戌孟夏月御题；书体：行书；全文：（嘉庆甲戌御题。文不录）印记：嘉、庆

主题:

主要主题：经史‧故事 圮上授书主要主题：人物 黄石老人、张良；次要主题：山水瀑布 ；次要主题：建筑桥 ；其他主题：器用 壶芦；其他主题：器用文玩（琴棋书画）书（书卷）；其他主题：建筑栏杆 ；其他主题：花草藤萝 ；其他主题：花草 草

技法:

写意 皴法斧劈皴人物衣纹描法(粗细线条) 苔点 

参考资料:

收藏着录： 故宫书画录（卷六），第四册，页206-207 收藏着录： 石渠宝笈三编（延春阁），第五册，页2497-2499 收藏着录： 故宫书画图录，第二十九册，页254-265 参考书目： 1.〈明李在圮上授书〉，收入陈阶晋、赖毓芝主编，《追索浙派》（台北：国立故宫博物院，2008年初版一刷），页172。 内容简介（中文）： 李在（西元？－一四三一年）字以政，福建甫田人。宣德中入画院为待诏，与戴进、谢环、石锐、周文靖同值仁智殿。山水宗北宋郭熙及南宋马、夏、刘松年，年物法南宋梁楷、贯休，画犬牛、马骡并妙。 此图取材于〔史记〕，描绘张良圯上为老人着履，得授兵书，辅助刘邦成业之故事。构图为局部取景法，山石以大斧劈皴擦，画树略去扶疏枝叶，仅见浓淡有致之苔点墨痕，人物衣纹描法劲健流利，画瀑布以留白方式，加上数条颤笔的水纹，使画面的空间添增深度与生动感。 内容简介（中文）： 李在（？─一四三一），字以政，福建莆田人，宣德中入画院为待诏，值仁智殿。山水宗郭熙、马远、夏珪、刘松年，人物法梁楷、贯休，画犬牛、骡马并妙。本幅描绘秦末张良圯上为老人着履，得授兵书，继而辅佐刘邦成业之故事。画中前景瀑布于留白中加上数条颤笔的水纹，山石以侧锋皴染，人物被框围于其间，衣纹描法劲健流利，树叶则简化为浓淡有致的苔点墨痕，用笔豪放恣肆，不拘细节。 内容简介（英文）： Chang Liang Receiving the TextLi Tsai (?-1431)Ming Dynasty Li Tsai, a native of Fukien province, was a Painter-in-Attendance in the Hsüan-te era and served in the Jen-chih Hall. In landscapes, he followed the styles of Sung masters. This painting depicts the late Ch’in story of Chang Liang, who helped the elder Huang Shih-kung put his shoes on. In return, Huang gave him a text on military strategy, and Chang thus was able to assist Liu Pang, founder of the Han dynasty. The composition is intimate as the figures are located behind a waterfall-left blank and done with a few trembling strokes. The rocks are done in slanting axe-cut strokes. The drapery lines are taut and fluid, and the leaves are simplified as light and dark dots. The brushwork is free and poised, unfettered by details. 内容简介（英文）： Huang Shih-kung Bestowing a BookLi Tsai (?-1431)Ming Dynasty Li Tsai (style name Yi-cheng) was a native of P’u-t’ien. During the HsüAn-te era, he served as a Painter-in-Attendance at the Jen-chih Hall along with Tai Chin, Hsieh Hüan, Shih Jui, and Chou Wen-ching. He studied the landscape styles of Kuo Hsi of the Northern Sung and Ma Yüan, Hsia Kuei, and Liu Sung-nien of the Southern Sung. For figure painting, he modelled himself after Liang K’ai and Kuan Hsiu of the Southern Sung. He was also skilled in painting dogs, cows, horses, and mules. This painting is based upon a story from the novel The Historical Records. After Chang Lang helped Huang Shih-kung put his shoes on, Huang gave him a book on military strategy to show his gratitude. Chang was thus able to help Liu Pang found the Han dynasty. The composition is an intimate, close-up scene. The rocks are painted with large axe-cut strokes, and light and dark moss dots are scattered about, representing leaves and tree branches which were not rendered in a detailed fashion. The brushwork in the clothing of the figures is strong and fluid. The waterfall in the foreground has been basically painted in reserve with several wavering ink lines for flowing water. All these elements give an overall feeling of depth and liveliness. 网页展示说明 本幅描绘秦末张良得黄石公传授兵法的故事。张良曾閒步桥上，遇一老人故意将鞋丢到桥下，要求张良为他拾回并穿上。良敬其老，勉强为之，老人微笑，去而复返，要求张良于五日后破晓时再会于该地。良依约前往，老人已先在，并怒斥他迟到为无礼。如是者三，良不断提前到，终于比老人早，老人喜，送他一册《太公兵法》，要他好好研读。谦抑敬老的张良得此秘笈，终能辅佐刘邦成其灭秦兴汉的开国霸业。 李在（？？1431），字以政，福建莆田人，宣德年间入画院为待诏，值仁智殿。山水宗郭熙、马远、夏珪、刘松年，人物法梁楷、贯休，画犬牛、骡马并妙。画中作瀑布于留白中加上数条颤笔的水纹，屏幕于前，后方之山石以侧锋大笔皴染，岩上的树叶则简化为浓淡有致的墨痕苔点，人物被框围于其间，只见黄石公殷殷指点，张良则恭谨跪聆。地上置放着书册一编，旁边的葫芦常是伴同仙人出现。衣纹的描法流利而劲健，多提顿转折，整体用笔豪放恣肆，不拘细节。