书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢对幅纸

释文:

印记资料:

鑑藏宝玺：古希天子
鑑藏宝玺：八征耄念之宝
鑑藏宝玺：太上皇帝之宝

题跋资料:

题跋类别：题签； 裱纸 ；书体：楷书；全文：林椿杏花春鸟。

题跋类别：题跋；作者：清高宗对幅 ；书体：行书；全文：（乾隆癸卯御题。文不录。）印记：心清闻妙香、含经味道

主题:

主要主题：花草杏花 主要主题：翎毛朱连雀 

技法:

工笔 双钩 

参考资料:

收藏着录： 石渠宝笈续编（御书房），第四册，页2056 收藏着录： 故宫书画录（卷六），第四册，页210 收藏着录： 故宫书画图录，第三十册，页34-39 参考书目： 1.谭怡令，〈宋林椿杏花春鸟〉，收入谭怡令编，《画?珍禽》（台北：国立故宫博物院，1988年十月初版），页82。 内容简介（中文）： 原籤题「林椿杏花春鸟」，画又名太平鸟的朱连雀立杏花枝头，回首与观赏者呼应。 本幅枝干笔法接近林椿「山（木茶）霁雪」，惟转折提顿较明显，技法上更显纯熟。用色层层填染，具「山（木茶）霁雪」韵味。花朵白粉分染处理，与推断为马麟（约1180-1256后）所作之宋人「桃花」相类，然「桃花」枝干更见自然感。林椿、马麟的活动时期在先后间，「杏花春鸟」则或是略晚于马麟之典型精致南宋院画作品。(20101015) 内容简介（英文）： The original title label for this work reads, “Lin Chun’s ‘Apricot Blossoms and a Spring Bird,” and depicts a Japanese waxwing, also known as a “bird of peace,” perched on the branch of a blossom apricot tree, turning its head as if in response to the viewer.The brushwork for the branches here is similar to Lin Chun’s “Camellia After Snow,” only that the turns as well as starts and stops of the brush are more distinct, the technique appearing more clearly mature. In terms of coloring, there are many layers of filled washes, much in the manner of “Camellia After Snow.” The white pigment of the blossoms was applied in washes, like the style found in the anonymous Song dynasty “Peach Blossoms” now associated with Ma Yuan or Ma Lin. Since Lin Chun was active before Ma Lin, this work could be a refined painting typical of the Southern Song done slightly after Ma Lin.(20101015)