书体:

色彩:

设色

装裱形式:

册(折装‧团扇式)

创作时间:

文字类型:

质地:

本幅绢对幅纸

释文:

印记资料:

题跋资料:

题跋类别：题签；    刘松年柳桥虚榭

题跋类别：题跋；作者：清仁宗对幅 ；书体：楷书；全文：御笔分题行书（嘉庆甲子新正上濣。诗文不录）印记：笔端造化、寓意于物

主题:

主要主题：山水  ；其他主题：山水江河、湖海湖；其他主题：树木  主要主题：树木杨柳 ；其他主题：建筑台阁 ；次要主题：建筑桥亭桥；其他主题：建筑篱笆、围墙 

技法:

工笔 写意 皴法披麻皴

参考资料:

收藏着录： 故宫书画录（卷六），第四册，页217 收藏着录： 石渠宝笈三编（圆明园清晖阁），第八册，页3650 收藏着录： 故宫书画图录，第二十九册，页266-275 参考书目： 1.王耀庭，〈宋刘松年柳桥虚榭〉，收入王耀庭编，《青绿山水画特展图录》（台北：国立故宫博物院，1995年七月初版一刷），页82。 内容简介（中文）： 刘松年（约西元一一九○年－一二三○年前后），浙江钱塘人。居清波门，俗呼刘清波，又称暗门。刘为南宋孝宗淳熙年间画院学生，绍熙年待诏。工画人物山水。师法张敦礼，神气精妙，名过于师。本幅柳荫夹峙，掩映着桥上的凉亭，园子?，静悄悄。这些近景主题，柳桥屋树，结合紧密，更显示枝叶浓绿，正是盛夏时节。提上斜坡、远山峰顶，均以石青石绿敷染，树叶亦是。青绿画风，南宋人喜以薄青绿罩染，本幅无款印，作者一依旧籤题，然风格似不如刘松年精细。应较晚出。 内容简介（英文）： Liu Sung-nien, a native of Hangchou, Chekiang, lived at Ch'ing-po-men, and so acquired the names Liu Ch'ing-po and An-men Liu. He was a student in the Imperial Painting Academy during the reign of Emperor Hsiao-tsung (r. 1162-1189) and later served as a Painter-in-Attendance during the Shao-hsi period (1190-1195). He was skilled in landscape and figure painting, having studied the painting methods of Chang Tung-li. Liu’s paintings possess a pure and exquisite spirit, and his fame surpassed that of his master.Towering willows shade the cool pavilion on the bridge which leads to a peaceful, quiet courtyard. The tightly structured composition draws attention to the rich green foliage which indicates that it is the height of summer. The sloped embankments, the distant mountain peaks, and the leaves of trees have been limned with malachite and azurite. In the Southern Sung, there was a taste for landscapes which where lightly colored with washes of blue and green. There are no signatures nor seals on this painting, but there is an old label attributing it to Liu Sung-nien. However, the style is inferior, so this must be a later work.