书体:
色彩:
水墨装裱形式:
册(折装‧方幅式)创作时间:
文字类型:
质地:
本幅纸对幅纸释文:
印记资料:
鑑藏宝玺:古希天子题跋资料:
题跋类别:题签; ;书体:楷书;全文:倪瓒野石修篁。主题:
主要主题:山水奇石 主要主题:树木竹技法:
写意 皴法折带皴参考资料:
收藏着录: 石渠宝笈续编(养心殿),第二册,页1105 收藏着录: 故宫书画录(卷六),第四册,页243 收藏着录: 故宫书画图录,第二十九册,页136-145 内容简介(中文): 倪瓒(西元一三0一至一三七四年),字元镇,号云林,又署云林子,或云林散人。江苏无钖人。尝筑清閟阁,以藏其所收之古书画。生平好学,工词翰,善书画。山水先以董源为师,后法荆关,好写汀渚遥岑,小山竹树等平远景。晚年喜画竹,以写胸中逸气。本幅画新篁数竿,一石独立。竹叶繁疏浓淡有致,由其画竹枝叶笔力,可见其书法精湛。石头纹理变化,全以皴擦苔点构筑,凹凸分明。此画构图精简,意趣天成。 内容简介(英文): Ni Tsan was a native of Wu-hsi Kiangsu. His family was wealthy and possessed a fine collection of paintings and calligraphy. He was a scholar by nature, a skilled poet, calligrapher and painter. His landscapes were modeled after Tung Yüan, Ching Hao and Kuan T'ung. Ni Tsan excelled as a painter of river landscapes. Late in life he was fond of painting bamboo that was expressive of his personal feelings.Several stalks of new bamboo grow by a single rock, their leaves designed with rhythmic clarity. Ni Tsan's bamboo reveals the extent of his brush-strength, and thus suggests his skill in calligraphy. The rock is formed with rubbed texture strokes and dots that skillfully describe its three-dimensionality. The painting's composition is pure and sparse, and the concept marvelously spontaneous and unforced.