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册(折装‧椭圆幅式)创作时间:
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本幅绢释文:
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作者印记:子昭题跋资料:
主题:
主要主题:山水 ;次要主题:人物高士(士人、隐士) ;次要主题:船篷舟 ;其他主题:山水江河、湖海江河;其他主题:树木 ;其他主题:翎毛燕 ;其他主题:器用 钓竿技法:
工笔 皴法披麻皴人物衣纹描法(匀称线条) 苔点参考资料:
收藏着录: 石渠宝笈初编(重华宫),下册,页726 收藏着录: 故宫书画录(卷六),第四册,页247 收藏着录: 故宫书画图录,第二十九册,页238-241 内容简介(中文): 盛懋(约活动于西元十四世纪),临安人,侨居浙江嘉兴魏塘镇。字子昭。善山水、人物、花鸟,始学陈仲美,略变其法,精绝有馀,特过于巧。设色画隔江山色景,画家借着近岸石矶上两株高柭的乔木,贯连对岸起伏绵亘的山峰;经由钓翁侧身目送飞鸿振翅远去的视线,将此小景画中平视的构图加以无限扩远,布局缜密。通幅笔墨劲利精到,技巧纯熟。选自「纨扇画册」册第八幅。 内容简介(英文): Sheng Mou, a native of Hangchow who lived in nearby Chia-hsing, excelled at painting landscapes, figures, birds-and-flowers. He began studying with Ch'en Chung-mei and later adapted his style. A gifted artist, Sheng was very skilled in technique.A foreground setting in colors along a river is set against a background of mountains. The artist has used two trees in front to dominate the scene and compositionally connect them with the hills. An angler turns his head to look at a pair of waterfowl flying off into the distance, giving this level-distance composition a sense of infinite space. The use of brush and ink is strong yet refined, being technically quite mature. This is the 8th leaf from Album of Round Fan Paintings.