书体:

色彩:

水墨

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅纸对幅纸

释文:

印记资料:

鑑藏宝玺：古希天子
鑑藏宝玺：八征耄念之宝
鑑藏宝玺：太上皇帝之宝
鑑藏宝玺：宣统御览之宝
收传印记：休宁朱之赤珍藏图书

题跋资料:

题跋类别：作者款识；作者：顾安；题跋位置：本幅；款识：至正乙巳（西元一三六五年）闰月。写于岁寒楼。定之。；书体：行书；全文： 印记：顾凝远印题籤   ；书体：楷书；全文：元顾安拳石新篁。

题跋类别：题跋；作者：莫荩恭；题跋位置：本幅；款识：百不居士；书体：行书；全文：节君自是非今雨。石丈谁能拜下风。□自王猷并米芾。高情千古远相同。百不居士。印记：莫氏荩恭

题跋类别：题跋；作者：清高宗；题跋位置：本幅；款识：无；书体：行书；全文：（乾隆御题。诗文不录。）印记：取益在广求

题跋类别：题跋；作者：尹继善对幅 ；书体：行书；全文：（臣工恭题。诗文不录。）印记：敬书

题跋类别：题跋；作者：刘纶对幅 ；书体：行书；全文：（臣工恭题。诗文不录。）印记：臣、纶

题跋类别：题跋；作者：王际华对幅 ；书体：行书；全文：（臣工恭题。诗文不录。）印记：臣、华

题跋类别：题跋；作者：钱维城对幅 ；书体：行书；全文：（臣工恭题。诗文不录。）印记：臣城、染翰

题跋类别：题跋；作者：彭元瑞对幅 ；书体：行楷书；全文：（臣工恭题。诗文不录。）印记：臣、瑞

题跋类别：题跋；作者：曹文埴对幅 ；书体：行书；全文：（臣工恭题。诗文不录。）印记：臣、埴

题跋类别：题跋；作者：陈孝泳对幅 ；书体：行书；全文：（臣工恭题。诗文不录。）印记：臣、孝泳

主题:

主要主题：树木竹 ；次要主题：山水奇石 

技法:

皴法 苔点 

参考资料:

收藏着录： 石渠宝笈续编（干清宫），第一册，页504 收藏着录： 故宫书画录（卷六），第四册，页197 收藏着录： 故宫书画图录，第二十九册，页198-207 内容简介（中文）： 顾安，生卒年不详。作品见于元至正己酉（西元一三四五年）至明洪武癸丑（西元一三七三年）间。淮东人，字定之。工书，善画竹。顾安画竹，用笔遒劲，此画新篁出枝，劲挺如铁，叶亦刚直如剑，完全是一种力道的表现。又配上用快笔飞白所画的石，更添劲健之感。此为「名画琳瑯」册第三幅。 内容简介（中文）： 顾安，生卒年不详。作品见于元至正己酉（西元一三四五年）至明洪武癸丑（一三七三）年间。淮东人，字定之。工书，善画竹。用笔遒劲，风梢云干，挥洒入神。本幅成于至正乙巳（一三六五）。定之写风竹，则风叶婀娜，秀劲中有温婉之意。此为「名画琳瑯」册第三幅，画新篁出枝，劲挺如铁，叶亦刚直，似闻铮铮相戛之声。写石用快笔作飞白，遂觉清劲满纸，雅逸绝伦。 内容简介（英文）： Though the birth and death dates for Ku An are unknown, his works date from 1345 to 1373. A native of Huai-tung, he was good at calligraphy and excelled at painting bamboo. His exquisite control of the brush allowed him to convey bamboo in a convincing and lively way. This work is from 1365.In this painting of bamboo in the wind, the leaves are particularly graceful as they brace against the wind. This is the 3rd leaf from the album Precious Gems of Famous Paintings. The new sprouts are as strong as steel and the leaves tough and straight－almost like criss-crossing lances. The rock outlines were done in fast "flying –white" strokes to reveal the bland paper below. Elegance and strength fill the work for an exceptional sense of refinement. 内容简介（英文）： The works of Ku An, whose birth and death dates are unknown, are dated from 1345 to 1373. A native of Huai-tung, he was gifted at calligraphy and excelled at painting bamboo.Ku An's use of the brush in painting bamboo was quite strong. In this painting of new shoots, they appear strong and upright like slivers of steel, and the leaves are as straight and sharp as sword blades. It is a complete expression of the force and power given to this tender subject through the artist's brushwork. Combined with the stone done in quick "flying-white" strokes (which are broken apart), they add even more to the sense of strength suggested here. This is the third leaf from the album "Gems of Famous Paintings".