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鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:仇英;题跋位置:本幅;款识:实父仇英敬绘;书体:隶书;全文: 印记:仇英之印主题:
主要主题:佛道人物观音杨柳观音;次要主题:山水云勾云;次要主题:器用服饰(对人)璎珞;次要主题:器用宗教器用宝杯杨柳技法:
工笔 人物衣纹描法(匀称线条)参考资料:
收藏着录: 秘殿珠林三编(干清宫),页73 收藏着录: 故宫书画录(卷五),第三册 ,页364 收藏着录: 故宫书画图录,第七册,页285-286 参考书目: 1.李玉珉,〈(传)明仇英观世音菩萨〉,收入李玉珉主编,《观音特展》(台北:国立故宫博物院,2000年初版),页210。 内容简介(中文): 观音大士踩着青色莲花,手持杨柳、水杯乘云而来。祂头上宝冠留下了立化佛的位置,却没有画佛像,说明这件作品还没有画完。这件画轴的色彩明净秀雅,除了用细谨的线条钩勒轮廓外,在脸、手和天衣上还以晕染的方式,表现立体效果。画上虽然有仇英(约一四九四-一五五二)的款印,但这件画轴笔描线条的稳定性、描写的精细程度,都和仇英有相当的差距,应是一件后人冒用仇英名字的作品。 内容简介(英文): Kuan-yinAttributed to Ch’iu Ying (ca. 1494-1552)Ming Dynasty With sashes fluttering in the breeze, Kuan-yin stands here on blue lotus blossoms resting on a trail of clouds and holds a willow branch and a water cup. The jeweled crown shows the place where a standing Buddha should be seen, indicating that this is an unfinished painting. In addition to the fine strokes for rendering the details and lines, elegant washes of colors were used for the face, hands, and clothing to complement the colorful jewelry and provide a sense of volume. Although the seal and signature of Ch’iu Ying appear along the left border, the quality of the lines and details differ considerably from that of Ch’iu Ying, indicating this to be a work of the Ming dynasty to which his name was added by a later person.