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本幅绢释文:
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鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:蒋廷锡;题跋位置:本幅;款识:傲雪凌霜。爱他梅蘂。才借春光。步绕西湖。兴馀东阁。可索诗肠。娟娟月转回廊。悄无处安排暗香。一夜相思。几枝疎影。落在寒窓。临扬补之梅竹小卷。并录其自题作。南沙蒋廷锡。;书体:行书;全文: 印记:生机、蒋廷锡、扬孙一字酉君、漱玉、青桐轩书画记、一洗胶粉空、閒情寄艸木主题:
主要主题:树木竹 主要主题:花草梅(白.红.蜡梅)技法:
写意参考资料:
收藏着录: 石渠宝笈续编(重华宫),第三册,页1754 收藏着录: 故宫书画录(卷八),第四册,页47 收藏着录: 故宫书画图录,第二十册,页233-236 内容简介(中文): 蒋廷锡(西元一六六九-一七三二年),江苏常熟人。字扬孙,号酉君,又号西谷。官至文华殿大学士,工画花卉草虫,以逸笔写生,没骨花鸟画继承恽寿平风格。 梅竹盘折于画面中心,枝条横斜穿插,构图奇峭。笔法爽捷劲健,错杂粗率而有韵致,别有逸趣。用淡墨渲染枝干,重墨点缀花蕊,墨色淡逸雅致。 内容简介(英文): Chiang T’ing-hsi (style names Yang-sun and Hsi-chün, sobriquet Hsi-ku) was a native of Ch’ang-shu. As an official, he rose to the rank of Grand Secretary of the Wen-hua Hall. He also excelled at depicting insects-and-flowers, and he also painted from nature using a spontaneous manner. In terms of bird-and-flower painting in the “boneless” (wash) style, he followed the style of Yün Shou-p’ing (1633-1690). Branches and stalks of plum and bamboo cross in this painting, making for an unusual composition. The brushwork is relaxed yet vigorous and the forms are unbalanced yet rhythmic, creating a dynamic relationship in what might otherwise be a dull subject. The branches are rendered with washes of light ink, and the blossoms are dotted with ink, creating a sense of variety.