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收传印记:危素之印题跋资料:
题跋类别:作者款识;作者:黄筌;题跋位置:本幅;款识:成都黄筌 成都黄筌主题:
主要主题:树木竹 主要主题:翎毛斑鸠珠颈斑鸠五只 ;次要主题:花草荆枝 ;其他主题:花草技法:
双钩 苔点参考资料:
收藏着录: 故宫书画录(卷八),第四册,页54 收藏着录: 故宫书画图录,第一册,页123-124 参考书目: 1.王耀庭,〈传五代后蜀黄筌竹林鹁鸽图〉,收入王耀庭主编,《传移模写》(台北:国立故宫博物院,2007年初版),页92。 内容简介(中文): 黄筌(卒于西元九六五年),四川成都人,字要叔。十七岁即任职后蜀画院,曾师法刁光胤、李昇等名家的长处,而有自己的面貌。几只珠颈斑鸠活动于郊原上,其中二只飞翔于低空,另外三只正漫步于竹丛边。流露出在大自然间怡然自得之情景。作者注重写生,对鸟的形状以至神态,都极用心观察,如羽毛层层叠复的变化也都详加描绘。本幅旧传为黄筌之作,与本院所藏的另一幅宋人竹石鸠子图在构景方面十分相近。 内容简介(英文): Huang Ch'üan, style-named Yao-shu, hailed from Ch'eng-tu in Szechwan. At age 16, he was appointed to serve in the Academy of Painting in Szechwan. He learned from Tiao Kuang-yin, T'eng Ch'ang-yu, Li Sheng and some other masters, but Huang Ch'üan was able to establish his own unique style.Several spot-neck doves busy themselves in the countryside. Two of them are flying while the other three stroll by the bamboo grove. This delightful painting conveys a happy scene of contentment in nature full of activities. The painter so much emphasized on the observation of the shapes, and spirit of birds. He did not neglect to draw from life even to the minutest details of feathers. This painting is traditionally attributed to Huang Ch'üan.There is a painting entiltled Bamboo, Rocks, and Doves by a Sung artist in our collection, bearing a close resembrance to this Huang's picture in the arrangement of compositional elements.