书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：祕殿珠林
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：珠林三编
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：陈居中；题跋位置：本幅；款识：陈居中敬绘；书体：篆书；全文： 印记：居中

题跋类别：题跋；作者：清高宗；题跋位置：本幅；款识：己丑新正下澣御赞；书体：行书；全文：御题行书（乾隆己丑御赞。文不录）。

主题:

主要主题：佛道人物佛无量寿佛；其他主题：器用宗教器用钵、莲座；次要主题：走兽牛 

技法:

人物衣纹描法(粗细线条) 

参考资料:

收藏着录： 秘殿珠林三编（干清宫），页64 收藏着录： 故宫书画录（卷八），第四册，页59 收藏着录： 故宫书画图录，第二册，页217-218 内容简介（中文）： 陈居中，宁宗嘉泰（西元一二0一—一二0四年）画院待诏。工画人物，亦擅蕃族人马。元柯九思推许陈氏之番马画，不亚于宣和番马名家黄宗道。 牛行缓缓，背复绵鞯，上置莲座，座上有一如来结跏趺坐，神态庄严而安祥。鞯上纹饰、莲座华瓣悉皆描画精细。牛形壮健，俊伟丰圆，两眼凝视。若据画上之乾隆题记，此佛乃为无量寿佛，然此如来手持一钵，其恐为释迦而非无量寿佛。 内容简介（英文）： Ch'en Chu-chung was a Painter- in -Attendant in the Imperial Painting Academy during the Chia-'t'ai era (1201- 1204). He was noted for his figure painting as well as his painting on nomadic horses beings as good as those done by Huang Tsung-tao, who was a renowned painter of Mongolian horses during the Hsuan-ho reign (1119-1125). Slowly an ox covered with an embroidered sabble cloth moves forward. Above the saddle cloth is a lotus pedestal on which is a Tathāgata seated with two legs crossed together. Both the designs on the cloth and the petals of the lotus pedestal are drawn in great detail. The ox is strong, stout, full and rounded. His eyes gaze fixedly. According to Emperor Ch'ien-lung's inscription on the painting, the Buddha is identified as Amitābha; however, he carries a begging bowl in his hand, this Buddha thus probably represents Śākyamuni rather than Amitābha.