书体:

色彩:

设色

装裱形式:

轴

创作时间:

元仁宗皇庆二年（1313）

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：祕殿新编
鑑藏宝玺：珠林重定
鑑藏宝玺：干清宫鑑藏宝
鑑藏宝玺：祕殿珠林
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：太上皇帝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：赵奕；题跋位置：本幅；款识：皇庆二年（西元一三一三年）秋月。赵奕敬绘。；书体：楷书；全文： 印记：子孙□□、赵氏仲光

题跋类别：题跋；作者：清高宗；题跋位置：本幅；款识：辛卯新春御赞；书体：行书；全文：白衣披身。金仙灌顶。大慈大悲。性志平等。浄瓶在手。㵼为水云。合掌其上。善财殷勤。无示固非。有示岂是。曰圣曰凡。孰彼孰此。辛卯新春御赞。印记：干、隆

主题:

主要主题：佛道人物观音 ；次要主题：树木竹 ；其他主题：佛道人物善才、龙女 ；其他主题：器用宗教器用宝瓶；其他主题：翎毛鹦鹉鹦哥

技法:

工笔 没骨 皴法 人物衣纹描法(匀称线条) 人物衣纹描法(粗细线条) 

参考资料:

收藏着录： 祕殿珠林续编（干清宫），页115 收藏着录： 故宫书画录（卷八），第四册，页64 收藏着录： 故宫书画图录，第四册，页267-268 参考书目： 1.葛婉章，〈无缘大悲　观达自在 — 院藏「普门品」观音画探究〉，《故宫文物月刊》，第112期（1992年7月），页39-40。 内容简介（中文）： 赵奕（西元十四世纪前期），字仲光，浙江吴兴人。赵孟頫之子，隐居不仕，日以诗酒自娱，亦以书画知名于世。竹崖上，白衣大士趺坐，龙女随侍身后。大士蓝发披肩，头上宝冠，可见阿弥陀的入定像。手中所持的净瓶，幻化出一朵祥云，善财童子立于云上，躬身作揖，状甚礼敬。此系出自﹝华严经﹞善财童子五十三参之一，善财参访观音，向其问道的情景。 内容简介（英文）： Chao I, style name Chung-Kuang, was a native of Wu-hsing, in Chekiang province. The son of Chao Meng-fu, Chao I chose to lead a hermetic existence over the life of an official, amusing himself with poetry and wine. He is known for his fine painting and calligraphy.A white-robed Kuan-yin is seated on a bamboo covered cliff. Behind her, a small maiden waits in attendance. The bodhisattva's blue hair hangs down over her shoulders; on her head is a precious crown with the A-mi-t'o Buddha seated in meditation. Water pouring from the vase held in Kuan-yin's hand transforms into a platform of auspicious clouds, on which stands the visiting Shan-ts'ai t'ung-tzu (Sudhana). He bows in humble reverence, requesting instruction from Kuan-yin. This is a scene from the Avatamsaka sûtra in which Shan-ts'ai requests instruction from Kuan-yin. 网页展示说明 竹崖上，白衣大士趺坐，龙女随侍身后。大士手中所持的净瓶，幻化出一朵祥云，善财童子立于云上，躬身作揖礼敬。观世音，为佛教诸菩萨的首席。唐时因避太宗李世民讳，去「世」字，略称观音。 在《西游记》中，观音菩萨扮演重要的角色，具有结构上的特殊作用。从参与收伏孙悟空，到寻访取经人，或设障碍以试禅心，或收妖魔以助西行，贯穿全书。 在第二十四回至二十六回中，孙悟空因偷吃了镇元仙的人参果，更推倒果树而脱身不得，卒赖观音以净瓶中的杨枝甘露救活了果树，始摆脱麻烦。第四十至四十二回里，则说到唐僧一等行经火云洞时，遭红孩儿施计蒙骗。红孩儿别号圣婴大王，为牛魔王与罗煞女之子，使用风火轮与口吐烈火焰击败悟空擒得三藏。后来悟空找观音前往收伏，遂随之受戒，成为其身旁的金童，此即善财童子的由来。 网页展示说明 On a cliff with shoots of bamboo sits the white-robed Kuan-yin bodhisattva with a dragon-lady attendant behind. In Kuan-yin's hand is the bottle of purification, emanating from which is a wisp of a cloud. On it stands Sudhana, the Child of Virtuous Wealth, bending forward in respect. In Journey to the West, Kuan-yin plays a key role and function in the story. From subjugating the Monkey King to locating the monk searching for sutras, Kuan-yin appears throughout the novel, also creating obstacles to test Ch'an (Zen) thought and converting demons to assist in the journey west. In chapters 24 to 26, for example, the Monkey King stole ginseng fruit of Chen Yüan-hsien (Guarding the First Immortal) and knocked over the tree. Unable to free himself, he depended on the elixir of willow branch dew in Kuan-yin's bottle of purification to save the tree and get himself out of trouble. Chapters 40 to 42 also narrate how the T'ang Monk (Tripitaka) and company were tricked by Crimson Child when passing by the Cave of Fire and Clouds. Also known as the Great Sagacious King Child, he is the son of King Bull Demon and Maiden Net Goblin. When he used wheels of flame and spitfire to attack the Monkey King and capture Tripitaka, the Monkey King sought Kuan-yin for help. Kuan-yin convinced the boy to gave up his evil ways, and he became the Golden Child by Kuan-yin, hence the origin of the story of Sudhana.