书体:

色彩:

浅设色

装裱形式:

轴

创作时间:

元顺帝至正九年（1349）

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：御书房鑑藏宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
收传印记：王芷
收传印记：东吴张氏朝清家藏
收传印记：东崖
收传印记：何印（半印）
收传印记：（一印不识）

题跋资料:

题跋类别：作者款识；作者：王蒙；题跋位置：本幅；款识：松山书屋。至正九年（西元一三四九年）八月香光居士王蒙写。；书体：篆书；全文： 印记：王蒙印、香光居士

主题:

主要主题：山水  ；次要主题：人物高士（士人、隐士）１人；次要主题：建筑斋馆 ；次要主题：建筑房舍 ；次要主题：树木松 ；其他主题：山水江河、湖海江河；其他主题：山水瀑布 ；其他主题：树木  ；其他主题：建筑篱笆、围墙篱笆；其他主题：器用家俱（屏风）桌、椅；其他主题：器用文玩（琴棋书画）书；其他主题：器用香炉．火盆香炉

技法:

皴法披麻皴人物衣纹描法(减笔) 苔点 

参考资料:

收藏着录： 石渠宝笈初编（御书房），下册，页1139 收藏着录： 故宫书画录（卷八），第四册，页68 收藏着录： 故宫书画图录，第四册，页345-346 内容简介（中文）： 王蒙（西元一三○八—一三八五年），吴兴（今浙江湖州）人。字叔明，号黄鹤山樵，自称香光居士。赵孟頫外孙，强记力学，画从赵孟頫风韵中来，又追法唐宋诸名家，尤以董源、巨然为宗，为元四大家之一。山峦重叠，以干笔牛毛皴皴擦，松林杂树，蓊蓊郁郁，几密不透风。高士一人，展卷于茅屋中。左上角以小篆题曰「松山书屋」，通幅画作与题识方式，均展现王蒙古拙圆浑的笔韵。此帧完成于至正九年，是王蒙四十二岁之作。 内容简介（英文）： Wang Meng (style name Shu-ming and Huang-he shan-ch'iao) called himself Hsiang-Kuang chü-shih and was a native of Wu-hsing (modern Hu-chou, Chekiang). He was the maternal grandson of Chao Meng-fu (1254-1322). Wang Meng studied long and diligently, his painting style deriving from that of Chao Meng-fu. Wang also sought the methods of various T'ang (618-907) and Sung (960-1279) dynasty painters, especially the school of Tung Yüan (d. 962) and Chü-jan (f1.ca.960-980). Wang Meng became one of the Four Masters of the Yüan.Depicted in this painting are multiple ridges of piled mountains using the method of fine, dry "ox–hair" texture strokes. The luxuriant pine forests with assorted trees appear so dense that not even the wind can penetrate them. A scholar in a thatched hut can be seen opening a scroll. In the upper left corner is an inscription in small seal script which reads, "Studio in Pine-covered Mountains." The style of the painting and method of the inscription both exhibit the harmony of Wang Meng's awkwardly archaic and rounded brushwork. This painting was done in1349, when he was 41-years-old.