书体:

色彩:

水墨

装裱形式:

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺:嘉庆御览之宝
鑑藏宝玺:嘉庆鑑赏
鑑藏宝玺:石渠宝笈
鑑藏宝玺:三希堂精鑑玺
鑑藏宝玺:宜子孙
鑑藏宝玺:宝笈三编
鑑藏宝玺:宣统御览之宝

题跋资料:

主题:

主要主题:人物高士(士人、隐士)4人主要主题:器用文玩(琴棋书画)琴;次要主题:人物侍从(侍女、童仆)童仆4人;其他主题:山水奇石 ;其他主题:山水江河、湖海 ;其他主题:树木竹 ;其他主题:树木梧桐 ;其他主题:走兽猫(貍奴) ;其他主题:翎毛鸭.凫鸭;其他主题:建筑庭院 ;其他主题:建筑栏杆 ;其他主题:器用家俱(屏风)桌椅;其他主题:器用饮食器茶具;其他主题:器用香炉.火盆香炉、炉;其他主题:器用服饰(对人) 

技法:

皴法斧劈皴人物衣纹描法(粗细线条) 工笔 苔点 

参考资料:

收藏着录: 石渠宝笈三编(延春阁),第四册,页1687 收藏着录: 故宫书画录(卷八),第四册,页71 收藏着录: 故宫书画图录,第五册,页249-250 参考书目: 林莉娜;〈关于明人十八学士图之考析〉,《故宫文物月刊》,第356期(2012年11月份),页72-87。 内容简介(中文): 本幅属白描墨画,描绘溪畔梧桐荫下的文士聚会,一人坐榻上抚几弹琴,三文士围坐倾听,另有僮仆四人侍立,或添香、碾茶、煮酒,旁有奇石绿竹及湘妃竹栏杆环绕。构图与院藏〈传宋人十八学士图〉相类,唯此轴反映上层社会的宅院,画幅正中有立地画屏,前设床榻与长案,案旁各摆一官帽椅,前方香几、长桌上摆设成套香具、茶具,排场十分讲究。从图中所绘家具形式来看,应绘于明代晚期。(20100101) 内容简介(中文): 本幅属白描墨画,写高梧荫竹下清泉奇石,香妃竹栏杆环绕。画中一人坐榻上抚几弹琴,三文士围坐倾听,另有僮仆四人侍立,或添香、碾茶、煮酒。明清时期有较广泛的陈设家具概念,此图反映上层社会的宅院,正中有立地画屏,前设床榻与长案,案旁各摆一官帽椅,前方香几、长桌上摆设成套香具、茶具,排场非常讲究。从图中所绘家具形式来看,此图应绘于明代晚期。 内容简介(英文): This painting is in monochrome ink. In the shade of tall firmiana tree and next to bamboo is a stream and a decorative rock as well as an ornamental bamboo railing. A figure sits on a daybed playing a zither as 3 scholars sit listening. Four servants are in attendance preparing incense, grinding tea, and heating wine. Furniture sets became popular in the Ming and Ch'ing dynasties, and this work reflects an upper class setting. In the middle is a standing painted screen with a daybed in front and a long table with two backed chairs on either side. In front is an incense stand and a long table with incense and tea vessels. Two cats play in the lower left. Judging from the furniture, this appears to be a late Ming (1368-1644) work. 内容简介(英文): This baimiao (ink outline) painting shows scholars in the shade of paulonia by a stream. One is on a daybed playing a zither as the other three sit listening. Four attendants prepare incense, grind tea, and heat wine. The scenery also features a decorative rock, bamboo, and an ornamental bamboo railing. The composition here is similar to the National Palace Museum’s “Eighteen Scholars” attributed to an anonymous Song (960-1279) artist, but this one more closely reflects an upper-class courtyard home. In the middle is a painted screen with a daybed in front and a long table with two backed chairs on either side. In front are an incense stand and a long table with incense and tea vessels in a refined, meticulous arrangement. The furniture types suggest a late Ming dynasty (1368-1644) date.(20100101)
文章标签: 主题 器用 人物

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