书体:

色彩:

浅设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：宣统御览之宝

题跋资料:

主题:

主要主题：山水  主要主题：山水瀑布 主要主题：树木松 ；次要主题：山水溪涧、湍泉溪涧；次要主题：人物高士（士人、隐士）士人一人；次要主题：人物侍从（侍女、童仆）童仆一人；次要主题：建筑亭 ；其他主题：山水山径 ；其他主题：山水江河、湖海江河；其他主题：树木竹 ；其他主题：建筑栏杆 ；其他主题：器用扇 

技法:

皴法斧劈皴人物衣纹描法(粗细线条) 苔点 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页75 收藏着录： 故宫书画图录，第六册，页119-120 参考书目： 1.晋介尘，〈「戴进作品展」导读 — 戴进抚松观瀑〉，《故宫文物月刊》，第209期（2000年8月），页91-92。 内容简介（中文）： 云雾山间弥漫，古松参差挺峙，一文士手执羽扇，抚而观泉，僮仆随侍在侧。斧劈皴写山石，斜角构图、刷笔渲染，俱见院体风貌；然笔意未若宋人清冽的气息。无款印，风格与戴进或其门下一派相近。　戴进（西元一三八八－一四六二年），浙江钱塘人。字文进，号静庵，又号玉泉山人。曾入宫廷呈画，以不得重用而南归。画风承袭南宋马夏派与元朝李郭派，树立明代浙派山水的风格。 内容简介（英文）： In a misty mountain gorge stand pine trees in an opening by a stream flowing from a waterfall in the background. Leaning over a pine holding a fan, a scholar watches as water flows by. An attendant stands by his side with a staff. Large axe-cut strokes and ink washes describe the landscape, and the composition is weighted to one side in the academic style of painting. The brushwork, however, is not as crisp as that of Sung artists. Though this work has neither seal or signature of the artist, the style is similar to that of Tai Chin or a follower. Tai Chin’s style was based on the Southern Sung works of Ma Yüan and Hsia Kuei combined with the Li Ch’eng and Kuo Hsi tradition of the Yüan. He is considered founder of the Che School of painting.