书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
收传印记：二水
收传印记：姚江管氏珍玩
收传印记：太官学士
收传印记：杨一清印
收传印记：子子孙孙永保之

题跋资料:

题跋类别：作者款识；作者：戴进；题跋位置：本幅；款识：钱塘戴氏文进写；书体：行楷书；全文： 印记：□□戴氏、文进之印

主题:

主要主题：人物牧童 主要主题：走兽牛 ；次要主题：山水夏景 ；次要主题：树木杨柳 ；其他主题：花草 草；其他主题：翎毛  

技法:

写意 人物衣纹描法(粗细线条) 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页75 收藏着录： 故宫书画图录，第六册，页123-124 内容简介（中文）： 戴进（西元一三八八－一四六二年），浙江钱塘人。字文进，号静庵，又号玉泉山人。画山水宗法马、夏馀意，蔚成明代浙派大家。人物、走兽亦极精妙，人物描法多采蚕头鼠尾，行笔顿拙有力，惟本幅中之红衫牧童，笔意简约，与传世戴作稍异。水牛殆以干笔草草刷就，柳树则墨沈淋漓，叶点细密，配合着碧草随风倾偃，益觉沁凉满纸；牧童手持喜鹤反向而坐，与右行之水牛适成一均衡态势，凡此俱见画家营构之巧思。 内容简介（英文）： Tai Chin developed his landscape painting on the style of Ma-Hsia of the Southern Sung and became the major figure of the Che school in the Ming dynasty. He also excelled in figure painting and the portrayal of animals. In his figure painting he often used the “silkworm head” and “mouse tail” strokes. The brush moves in stutters and stops, full of force The figure in red clothing in this painting is depicted rather sketchily, differing somewhat from Tai Chin’s normal style. The water buffalo is painted rapidly with a dry brush. The willows are painted in rich ink tones. Leaves are dotted in a free and dense manner. Together with the grass waving in the breeze, a cool feeling suffuses the painting. A young cowherd, with a magpie in his hand, sits on the opposite side from the water buffalo moving at the right. The balance they form reveals the compositional skill of the artist.