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鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:丁云鹏;题跋位置:本幅;款识:丁云鹏敬绘;书体:楷书;全文: 印记:丁云鹏印、南羽主题:
主要主题:佛道人物罗汉(应真、尊者)十八罗汉;次要主题:山水云云;次要主题:走兽鹿 ;次要主题:走兽狮 ;次要主题:走兽龙 ;次要主题:走兽象 ;次要主题:走兽虎 ;其他主题:器用枴杖 ;其他主题:器用兵器戟、矛;其他主题:器用如意 ;其他主题:器用宗教器用塔、经卷、金刚铃、锡杖、尘;其他主题:器用服饰(对人) ;其他主题:器用文房用具笔、贝叶;其他主题:器用家俱(屏风)垫;其他主题:花草莲荷 ;其他主题:佛道人物佛道侍者 ;其他主题:佛道人物天龙八部金翅鸟;其他主题:走兽 异兽等(独角兽)技法:
白描 人物衣纹描法(匀称线条)参考资料:
收藏着录: 祕殿珠林续编(干清宫),页168 收藏着录: 故宫书画录(卷八),第四册,页86 收藏着录: 故宫书画图录,第八册,页359-360 内容简介(中文): 丁云鹏(西元一五四七或一五四八-一六二八年后),安徽休宁人。字南羽,号圣华居士。善画佛道人物,得唐吴道子法,又白描师法李公麟,为晚明人物画名家。 海天相交,波涛翻舞,团云变幻之间,十八位罗汉由乘骑与罗刹簇拥伴随,上下游走于虚空之中,各显神通。人物与动物交织成一幅恍若觥筹交错的动感画面,而罗汉夸张变形、滑稽的造形,使全画弥漫着类似卡通的趣味效果。 内容简介(英文): Ting Yün-p'eng (style name Nan-yü, sobriquet Sheng-hua chü-shih) was a native of Hsiu-ning, Anhwei Province. He excelled in Buddhist and Taoist figure painting. He followed the bold style of Wu Tao-tzu (act. ca. 710-760) from the T'ang Dynasty as well as the plain-line drawing style (pai-miao) of Li Kung-lin (1049-1106) from the Sung dynasty. He is considered a late Ming dynasty master of figure painting. Eighteen lohans, riding on various animals and accompanied by Rakşas, and other attendants crowd together, rising and descending through the void where the sea and the heavens meet in the ever-changing, dancing waves and clouds. Each lohan manifests his occult powers. The human figures and animals mix together as if they were drinking at a large party. The ″transformation or supra-realistic″ (pien-hsing) appearance of the lohans has been exaggerated so that they seem comical. The entire painting looks as though it were overflowing with this king of cartoon.