书体:

色彩:

浅设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绫

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝

题跋资料:

题跋类别：作者款识；作者：陈洪绶；题跋位置：本幅；款识：洪绶；书体：草书；全文： 印记：章侯氏、陈洪绶印

主题:

主要主题：翎毛 两只主要主题：树木寒林．枯树枯树；其他主题：树木  ；其他主题：花草荆枝 

技法:

皴法 苔点 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页88 收藏着录： 故宫书画图录，第九册，页109-110 参考书目： 1.〈明陈洪绶古木双鸠〉，收入国立故宫博物院编，《晚明变形主义画家作品展》（台北：国立故宫博物院，1977年九月初版），页480。 内容简介（中文）： 陈洪绶（西元一五九八－一六五二年），字章侯，号老莲，甲申后自号老迟，又号悔迟、弗迟、云门僧、九品莲台主者，浙江诸暨人。画法遒逸，善山水，尤工人物。　老树画秃，不画细枝，双鸠栖于其上。树后大叶乔木一株，树下衬以荆棘坡石。古木枝干圆劲有如篆籀，荆棘笔爽利而有擒纵，坡石起伏顿挫，皴法流畅灵动。焦墨大笔点苔，益增其精警。绫本光洁，用色甚澹，秋色荒寒野趣，跃然纸上。 内容简介（英文）： Ch’en Hung-shou was a native of Chu-chi, Chekiang. His style name was Chang-hou, and his many sobriquets included Lao-lien (Old Lotus), Lao-chih, Hui-seng, Wu-chih, and Yun-men-seng. His calligraphy was intriguing and forceful and he specialized in landscape and figure painting. Two “pigeons” perch in a leafless old tree whose small branches have long since disappeared. Behind the old tree grows a taller tree with large leaves, and below, several brambles project from a small incline. The brushstrokes in the branches of the old tree are dry, round, and forceful, resembling those used in seal script characters. The small incline in the lower part of the composition curves gently, while the texture strokes that define its surface are lively and flowing. The moss dots in rich, black ink further enliven the composition. The colors on the glossy silk are light and somber. This autumn scene, barren and cold, captures the feeling of wildness in nature, and certainly ranks among the very best of Ch’en Hung-shou’s paintings from life.