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书幅纸画幅一纸画幅二纸释文:
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作者印记：梅谷题跋资料:
题跋类别：作者款识；作者：王武画幅一碧玉窗櫺赤玉栏。三春富贵画中看。沉香亭子犹堪作。那得亭前供奉官。小春晦日王武戏笔。；书体：行书；全文： 印记：王武私印、震泽、东邨草堂主题:
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收藏着录： 石渠宝笈初编（御书房），下册，页1166 收藏着录： 故宫书画录（卷八），第四册，页93 收藏着录： 故宫书画图录，第十册，页103-104 参考书目： 1.〈清王武书画合璧〉，收入国立故宫博物院编辑委员会编，《牡丹名画特展图录》（台北：国立故宫博物院，1987年四月初版），页42。 内容简介（中文）： 王武（西元一六三二－一六九○年），江苏长洲人。字勤中，号忘庵，自称雪颠道人。家富收藏，又精于鑑赏，于宋元明诸大家名蹟，往往心摹手追，务得其遗法。故所画花鸟动物等，任笔点染，皆具足生意，脱尽院画习气。名高当代，与恽寿平同属清初著名的花鸟画家，人或以沈周，陈淳拟之。本幅绘二色牡丹婷立，一盛绽，一含苞。笔调写意，赋色雅淡，虽属富贵之体，然亦自具高洁之文人气息。 内容简介（英文）： This colored ink painting depicts two graceful peonies, one in full bloom and other as yet unopened. Freely sketched, the coloring is delicately light. Although the subject matter is the “flower of wealth,” the painting still has a pure elegance and unworldly air.Wang Wu was a noted connoisseur from a wealthy family of collectors in Ch’ang-chou, Kiangsu. He studied Sung, Yűan, and Ming works, determined to imbibe the methods of the old masters. Consequently the brushwork of his flower-and-bird and animal paintings is full of vitality and completely free of academic mannerisms. Famous in his own time, he is ranked with Yűn Shou-p’ing in the flower-and-bird genre of painting. His works are often mistaken for those of Shen Chou and Ch’en Ch’un.
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