书体:
色彩:
设色装裱形式:
轴创作时间:
文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺：嘉庆御览之宝题跋资料:
题跋类别：作者款识；作者：董邦达；题跋位置：本幅；款识：枫谿观瀑。（隶书）。臣董邦达敬绘。（楷书）；书体：隶书；全文： 印记：臣邦达印、文学侍从主题:
主要主题：山水秋景 主要主题：树木枫树．槭树枫树；次要主题：山水溪涧、湍泉溪涧；次要主题：建筑水榭 ；次要主题：建筑台阁 ；次要主题：建筑房舍 ；次要主题：树木寒林．枯树枯树；次要主题：山水瀑布 ；其他主题：人物高士（士人、隐士）高士1人；其他主题：人物侍从（侍女、童仆）童仆1人；其他主题：树木技法:
写意 皴法 皴法披麻皴皴法卷云皴人物衣纹描法(减笔) 苔点参考资料:
收藏着录： 石渠宝笈三编（延春阁），第五册，页2306 收藏着录： 故宫书画录（卷八），第四册，页107 收藏着录： 故宫书画图录，第十二册，页11-12 内容简介（中文）： 董邦达（西元一六九九－一七六九年），浙江富阳人，字孚存，号东山。雍正癸丑进士。乾隆时，以博学精考核，命入内廷，襄编石渠宝笈诸书，后仕至礼部尚书。性好书画，山水喜宗元人笔墨。 峻岭深壑，跨桥敞轩里，高士坐赏秋光。本幅以朱红、黄绿写来树木转变特色，用色艳而不俗，颇见作者刻意强调之意图。画中山峦以枯笔，用披麻、云头两种皴法交相运用，显出受元朝王蒙画法影响。 内容简介（英文）： Gazing at WaterfallTung Pang-ta (1699-1769), Colophon by the Emperor Kao-tsungCh’ing Dynasty Tung Pang-ta was a native of Fu-yang, Chekiang. His style name was Fu-ts’un and his sobriquet was Tung-shan. Tung obtained the chin-shih service degree in 1733. Because of his extensive knowledge and historical research, Tung was summoned to the court and made an assistant editor in the compilation of the palace collection catalogues, such as the Shih-ch’ü pao-chi, etc. He later served as Minister of the Board of Rites. Tung was fond of painting and calligraphy, and his landscape paintings follow the style of the Yüan masters. Deep in the crag of a lofty range of mountains, a scholar sits in a room enjoying the autumn scenery. The abundant colors used in his painting, vermilion, yellow, and green, are elegant and were used to demonstrate the changing colors of the trees in the coming autumn. It is evident that the artist has taken extreme care in executing this work to emphasize its sentiment. The mountains and peaks have been depicted using a dry brush, and Tung’s utilization of hemp-fiber and thunder-cloud texture strokes together reveals an obvious influence of the Yüan master Wang Meng.
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