书体:
色彩:
水墨装裱形式:
轴创作时间:
文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:董邦达;题跋位置:本幅;款识:万叠芙蓉。(隶书)。臣董邦达恭仿王蒙笔意。(楷体)。;书体:楷书;全文: 印记:臣、达主题:
主要主题:山水 ;其他主题:建筑篱笆、围墙 ;其他主题:建筑桥 ;其他主题:建筑亭 ;其他主题:建筑房舍 ;其他主题:建筑水榭 ;其他主题:山水瀑布 ;其他主题:树木 ;其他主题:山水江河、湖海江河;其他主题:树木松技法:
写意 皴法披麻皴苔点参考资料:
收藏着录: 石渠宝笈三编(御书房),第七册,页3180 收藏着录: 故宫书画录(卷八),第四册,页107 收藏着录: 故宫书画图录,第十二册,页23-24 内容简介(中文): 董邦达(西元一六九九至一七六九年),浙江富阳人,字孚存,号东山。雍正癸丑(西元一七三三年)进士。乾隆时入内廷襄编石渠宝笈诸书,后仕至礼部尚书。 层叠溪山,构景幽邃。笔多用中锋,以枯墨层层醒出,颇不能删繁就简。然结构谨严,苍老中弥有清韵,固是董画中佳者。 内容简介(英文): Tung Pang-ta (1699-1769) was a native of Fu-yang in Chekiang province, his style-name was Fu-ts’un and his sobriquet tung-shan. He took his chin-shih metropolitan doctorate exam in 1733 and was subsequently in the imperial employ, compiling such works as the catalogue of the imperial art collection. Later he rose to be Minister of the Board of Rites.This scene, with its massed mountains and spreading waters has a quality of distant stiliness. It has been painted mostly with a brush that keeps its point hidden within the stroke. – a technique also particularly important in Chinese calligraphy. The artsit here gradually accumulates strokes of very dry ink until the form suddenly coalesces, a method which allows no casual short cuts. The composition is impressive with an archaic severity, but nevertheless filled by a resonant clarity. These qualities make it one of the best of the many works by the artist in this museum.