书体:
色彩:
设色装裱形式:
轴创作时间:
文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺：乾隆御览之宝题跋资料:
题跋类别：作者款识；作者：董邦达；题跋位置：本幅；款识：臣董邦达恭绘；书体：楷书；全文： 印记：臣邦达印、染翰主题:
主要主题：山水名胜西湖十景南屏晚钟；其他主题：建筑城墙 ；其他主题：建筑篱笆、围墙围墙；其他主题：建筑桥 ；其他主题：建筑寺庙 ；其他主题：建筑房舍 ；其他主题：树木杨柳柳；其他主题：树木竹 ；其他主题：树木 ；其他主题：树木寒林．枯树枯树；其他主题：山水江河、湖海西湖；其他主题：树木松技法:
写意 皴法 皴法披麻皴参考资料:
收藏着录： 石渠宝笈续编（圆明园），第七册，页3918 收藏着录： 故宫书画录（卷八），第四册，页108 收藏着录： 故宫书画图录，第十二册，页49-50 内容简介（中文）： 董邦达（西元一六九九至一七六九年），字孚存，号东山，浙江富阳人。雍正癸丑（一七三三）进士，仕至礼部尚书。画山水从董其昌入手，得元人笔墨精神。 南屏山当西湖之南，层峦耸列，翠岭横披，宛若屏障，下有净慈寺，寺钟一鸣，山谷皆应，逾时方息。 内容简介（英文）： Tung Pang-ta (1699-1769) style name Fu-ts’un, sobriquet Tung-shan was a native of Fu-yang, Chekiang Province. He received the chin-shih degree in 1733 and afterward entered the court of the Ch’ien-lung Emperor. He assisted in the compilation of the imperial catalogue Shih-ch’u pao-chi and later served as minister of the Board of Rites. He started his landscape paintings with Tung Ch’i-chang of the Ming dynasty as his model. He captured the brushwork and elegance of Yüan painting giving his style clarity and beauty. On the southern shore of the West Lake are mountain ranges and ravines. Mount Nanp’ing is a celebrated place and nearby is a temple called Ching-tz’u Temple. When the temple bell is tolled, its sounds reverberate through the mountains and ravines.
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