书体:
色彩:
浅设色装裱形式:
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本幅纸释文:
印记资料:
鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:董邦达;题跋位置:本幅;款识:臣董邦达恭画;书体:楷书;全文: 印记:臣邦达印、文学侍从主题:
主要主题:山水 ;其他主题:山水溪涧、湍泉溪涧;其他主题:山水云 ;其他主题:树木寒林.枯树枯树;其他主题:建筑茅草屋 ;其他主题:建筑房舍 ;其他主题:建筑篱笆、围墙 ;其他主题:建筑亭 ;其他主题:树木 ;其他主题:山水瀑布 ;其他主题:山水山径技法:
工笔 写意 皴法 皴法披麻皴苔点参考资料:
收藏着录: 石渠宝笈续编(御书房),第四册,页2216 收藏着录: 故宫书画录(卷八),第四册,页110 收藏着录: 故宫书画图录,第十二册,页95-96 内容简介(中文): 董邦达(一六九九至一七六九年),浙江富阳人,字孚存,号东山。雍正癸丑(一七三三年)进士,乾隆时襄编石渠宝笈诸书,仕至礼部尚书。画山水从董其昌入手,得元人笔墨精神,而以清丽的作风取胜。 本幅笔法松秀圆柔,墨色浓淡参差变化,景物的造型全由画家自出心裁。主山脉呈螺贝状堆叠上昇,烟岚和简笔勾成的树丛屋宇横越山峦,画面上形成纵横交错的动态感。 内容简介(英文): Tung Pang-ta (tzu Fu-ts’un, hao Tung-shan) was a native of Fu-yang, Chekiang. He received the chin-shih degree in 1733 and after-ward entered the court of the Ch’ien-lung emperor. He assisted in the compilation of the imperial catalogue Shih-ch’ü pao-chi and later served as minister of the board of rites. His paintings were strangely influenced by Tung Ch’i-ch’ang. He captured the brushwork and elegance of Yüan painting giving his style a clarity and beauty. Here brushwork is relaxed, elegant and rounded; ink and color are blended and modulated; and the forms of the scene were born from the artist’s heart. A central peak rises, spiraling to a great height. This verticality is stabilized by a mist-filled, simple line of trees and pavilions arranged horizontally. This contrast further serves to give the painting a sense of vitality.