书体:
色彩:
浅设色装裱形式:
轴创作时间:
文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:钱维城;题跋位置:本幅;款识:臣钱维城恭画;书体:楷书;全文: 印记:臣钱维城、染翰主题:
主要主题:山水冬景(雪景) ;其他主题:树木松 ;其他主题:建筑水榭 ;其他主题:建筑寺庙 ;其他主题:建筑篱笆、围墙 ;其他主题:船帆船 ;其他主题:建筑桥 ;其他主题:建筑房舍 ;其他主题:树木竹 ;其他主题:树木寒林.枯树枯树;次要主题:山水江河、湖海技法:
写意 皴法披麻皴人物衣纹描法(减笔) 苔点参考资料:
收藏着录: 石渠宝笈续编(重华宫),第四册,页1835 收藏着录: 故宫书画录(卷八),第四册,页112 收藏着录: 故宫书画图录,第十二册,页183-184 内容简介(中文): 钱维城(一七二○-一七七二),字稼轩,号茶山,江苏武进人。官至工部侍郎。少时与张庚、钱载俱从其祖母陈书学画花卉人物。后改画山水,幽深沉厚,与董邦达齐名。 本幅写江岸雪意。主山山脉结构明晰,江天留白甚多,构图予人疎朗之感。写松树,枯枝,造型简单而有力。通幅笔墨精简而效果鲜明。 内容简介(英文): A native of Wu-chin, Kiangsu, Ch’ien Wei-ch’eng (tzu Chia-hsüan, hao Ch’a-shan) was named a member of the Board of Public Works during the reign of the Ch’ien-lung Emperor. In his youth Ch’ien, together with Ch’ien Tsai (1708-1793 A.D.) and Chang Keng (1785-1760 A.D.), studied bird-and-flower and figure painting with Ch’ien’s grandmother, Ch’en Shu (1660-1736 A.D.). Later he devoted himself to quiet landscapes of great profundity. His fame equaled that of Tung Pang-ta (ca. 1699-1769 A.D.). The painting depicts a river bank covered with snow. The relationship between mountain forms is lucid and provides a structural basis for the river and sky which have been left unpainted, retaining the white color of the paper. The painting imports a sense of tranquillity and harmony. The pines are simple but strong, the brushwork elegant, and the effect distinct.