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鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:金廷标;题跋位置:本幅;款识:臣金廷标恭绘;书体:楷书;全文: 印记:廷标主题:
主要主题:山水 主要主题:树木松 主要主题:走兽马 ;次要主题:人物圉人 ;其他主题:山水溪涧、湍泉溪涧技法:
工笔 写意 皴法斧劈皴皴法披麻皴人物衣纹描法(粗细线条)参考资料:
收藏着录: 石渠宝笈续编(干清宫),第二册,页785 收藏着录: 故宫书画录(卷八),第四册,页124 收藏着录: 故宫书画图录,第十三册,页265-266 参考书目: 1.林柏亭、张华芝,〈清金廷标松阴牧马〉,收入林柏亭、张华芝编,《画马名品特展图录》(台北:国立故宫博物院,1990年元月初版),页105-106。 内容简介(中文): 金廷标字士揆,乌程(浙江吴兴)人,善人物,兼工花卉、山水。乾隆南巡,进白描罗汉册,称旨,召入内廷供奉。生卒年未详,作品见于乾隆二十五年至三十二年间(一七六○–一七六七),乾隆辛丑(一七八一)清高宗题金廷标南泥图云:「廷标内廷昔供奉……。」依此题,金氏,当卒于辛丑年以前。 骏马一匹啮草山林间,牧者不施以鞍勒。画马甚重光影变化,故具立体感,系受郎世宁画法之影向。背景树石,则为金氏本色。 内容简介(英文): A native of Wu-ch’en, Chin T’ing-piao (style name Shih-k’uei) was a skilled painter of figure and floral subjects. He presented an album of Lohans painted in the pai-miao (outline drawing) style to the Ch’ien-lung Emperor when the latter was on an inspection tour of south China, after which the artist was awarded a position in the painting academy. His works are dated from 1760-1767. A saddleless horse is grazing in the forest. The artist has stressed the rendering of light and shadow, creating a three-dimensional effect. This reflects the influence of Giuseppe Castiglione. However, the background trees and rocks reveal Chin T’ing-piao’s personal style.