书体:
色彩:
水墨装裱形式:
轴创作时间:
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质地:
本幅纸释文:
印记资料:
鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:董邦达;题跋位置:本幅;款识:日讲起居注官翰林院侍读学士。臣董邦达奉敕恭绘。;书体:隶书;全文: 印记:臣邦达印、学画主题:
主要主题:经史‧故事 故事;次要主题:树木竹 ;其他主题:山水溪涧、湍泉溪涧;其他主题:山水 ;其他主题:人物高士(士人、隐士)士人一位;其他主题:人物侍从(侍女、童仆)童仆;其他主题:树木寒林.枯树枯树;其他主题:建筑房舍 ;其他主题:建筑茅草屋 ;其他主题:建筑桥 ;其他主题:建筑篱笆、围墙围墙技法:
写意 界画 皴法 皴法披麻皴人物衣纹描法(粗细线条) 苔点参考资料:
收藏着录: 石渠宝笈三编(延春阁),第五册,页2304 收藏着录: 故宫书画录(卷八),第四册,页111 收藏着录: 故宫书画图录,第十二册,页121-122 参考书目: 1.冯明珠,〈董邦达四美具合幅〉,收入冯明珠主编,《乾隆皇帝的文化事业》(台北:国立故宫博物院,2002年初版一刷),页89。 内容简介(中文): 董邦达(一六九九-一七六九),浙江富阳人。工画山水,宗法元人笔墨。明末顾从义藏有顾恺之女史箴图、李公麟潇湘卧游、蜀江图、九歌图,董其昌因其乃流传有序名蹟,为题「四美具」于其室。四卷后来失散,乾隆十一年陆续转入内府。画上梁诗正、汪由敦、张若霭跋文,提及乾隆十年曾以快雪、中秋、伯远帖于三希堂贮之,而四美「实与三希互相辉映」。此图为董氏〈画四美具合幅〉二轴之右幅。(20100714) 内容简介(英文): Dong Bangda, native to Fuyang in Zhejiang, was good at landscapes and followed the Yuan masters. At the end of the Ming, the collector Gu Congyi had Gu Kaizhi’s Admonitions of the Court Instructress and Li Gonglin’s Dream Journey over the Xiao and Xiang, The Shu River, and The Nine Songs. The great connoisseur, Dong Qichang, recognizing these masterpieces, named Gu’s studio “The Four Beauties Complete.” The 4 were lost at the fall of the Ming but made their way into the Qing imperial collection starting in 1746. Colophons by Qing court officials (Liang Shizheng, Wang Youdun, and Zhang Ruoai) mention the Four Beauties shining just as brilliantly as the three calligraphic treasures at the Three Rarities Hall. This is the right scroll of the two by Dong.(20100714)