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本幅纸释文:
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鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:金廷标;题跋位置:本幅;款识:臣金廷标恭画;书体:楷书;全文:主题:
主要主题:人物百姓 ;其他主题:山水江河、湖海江河;其他主题:船 ;其他主题:器用耕织渔猎铲、泥耙、网;其他主题:器用篮.篓.箩筐篮;其他主题:人物孩童 ;其他主题:建筑桥 ;其他主题:山水田畴 ;其他主题:花草 草;其他主题:树木技法:
写意 皴法 人物衣纹描法(粗细线条)参考资料:
收藏着录: 石渠宝笈续编(干清宫),第二册,页787 收藏着录: 故宫书画录(卷八),第四册,页123 收藏着录: 故宫书画图录,第十三册,页241-242 内容简介(中文): 金廷标字士揆,浙江吴兴人。善人物,兼工花卉、山水。乾隆南巡,进白描罗汉册,称旨,召入内廷供奉。生卒年未详,作品见于西元一七六○–一七六七年间。 画村民于河流中挖泥,旣可以之粪用,又可濬通河水。因此乾隆皇帝嘉赏金氏画意,而题诗云:「工执艺谏诚堪取。」。画人物、舟船,颇有浙派笔意。 内容简介(英文): A native of Wu-hsing, Chekiang, Chin T’ing-piao (tzu Shih-k’uei) was noted for his paintings of figures, flowers and landscapes. When the Ch’ien-lung emperor journeyed to south China, Chin presented him with an album of pai-miao lohans and was subsequently called to serve at the court. Villagers are scooping mud from a flowing river. This activity serves both as a source of fertilizer for the fields and as a method of widening the river. Thus, the Ch’ien-lung emperor inscribed a line of verse lauding Chin’s use of symbolism. The style of the figures and boats reflect the ideas of the Che school.