书体:

色彩:

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：养心殿鑑藏宝
鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
收传印记：沈氏清玩

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主题:

技法:

参考资料:

收藏着录： 石渠宝笈初编（养心殿），下册，页496 收藏着录： 故宫书画录（卷八），第四册，页139 收藏着录： 故宫书画图录，第二十二册，页154-157 参考书目： 1.〈传明戴进太平乐事〉，收入陈阶晋、赖毓芝主编，《追索浙派》（台北：国立故宫博物院，2008年初版一刷），页170。 内容简介（中文）： 戴进（西元一三八八－一四六二年），浙江钱塘人，字文静，号静庵，又号玉泉山人。曾入宫廷作画，以不得重用南归。潜心绘事，师法南宋马夏派，树立明朝绘画风格。　本册画乡村生活情景，虽款名戴进，实属浙派学戴者之作。 内容简介（中文）： 戴进（西元一三八八－一四六二年），浙江杭州人。字文进，号静庵，又号玉泉山人。善画山水，大致宗法南宋马远、夏圭之笔趣，亦工人物、花鸟、走兽。　室内置有方桌八张，呈二二四并列。左右各有双枨，桌上置烛台、香炉、酒肴器皿，旁以彭牙鼓腿马蹄足圆凳搭配。前方戏台似为一建筑物，台前置有小型家具组。所绘题材近似宋人「婴戏图」，人物衣纹采钉头鼠尾描，室内建筑陈设描绘详细，然非采工整界画。 内容简介（英文）： Tai Chin (style name Wen-chin, sobriquets Ching-an and Yu-ch'uan shan-jen) was a native of Hangchow, Chekiang. He excelled at landscape painting, following in the brush manner of the Southern Sung (1127-1279) masters Ma Yüan and Hsia Kuei. He also depicted figures, birds-and-flowers, and animals. The eight tables in this painting are arranged in groups of two, two, and four. On the left and right side of each are double stretchers. Placed on the tables are lamps, incense burners, and wine vessels. Next to the table are round stools with drum-shaped legs and horse-hoof feet. The stage in front is constructed like a building and in front of it is a set of miniature furniture. The subject matter is similar to that of “Children Playing” in the National Palace Museum by an anonymous Sung (960-1279) artist. The drapery of the figures is done in so-called “nail-head” and “rat-tail” brushstrokes. The description of the interior decoration and construction is quite detailed, without the aid of ruled-line techniques. 内容简介（英文）： Tai Chin was a native of Ch'ien-t'ang, Chekiang province. He entered the service of the court as a painter, but not finding great favor he returned south. Tai was a committed artist. He patterned his painting after the Ma-Hsia style of the Southern Sung dynasty and helped to establish one of the fundamental styles of the Ming. These album leaves depict scenes from rural life, though they bear the signature of Tai Chin, they were apparently done by one of his followers.