书体:

色彩:

装裱形式:

册(折装)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

作者印记：臣廷锡（重十一）
作者印记：朝朝染翰（重十一）
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：宝笈三编
鑑藏宝玺：宜子孙
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宣统鑑赏
鑑藏宝玺：无逸斋精鑑玺

题跋资料:

主题:

技法:

参考资料:

收藏着录： 石渠宝笈三编（御书房），第七册，页3168 收藏着录： 故宫书画录（卷八），第四册，页144 收藏着录： 故宫书画图录，第二十四册，页318-321 内容简介（中文）： 蒋廷锡（西元一六六九－一七三二年），江苏常熟人，字扬孙，一字酉君，号西谷、南沙。历官文华殿大学士，有政声，未第时与顾雪坡游，善写生。在朝为官后，矜重不苟作，偶为一二，又为宫禁所宝，流传眞迹绝少。 写生花鸟，略受西画阴影法影响，较重立体感及色彩之表现，双钩描线则不甚着意。 内容简介（英文）： A native of Chang-shu, Kiangsu, Chiang T’ing-hsi (style name Yang-sun, Yu-chün; sobriquet Hsi-ku, Nan-sha), served as Grand Academician in the Wen-hua Hall. Before taking public office, he enjoyed painting directly from life with his close friend, Ku Hsüeh-p’o. After assuming office, however, his style became much more refined, resulting in fewer paintings. Since he painted for the court only, few of his works have survived outside the palace collection. In this particular album of bird-and-flower subjects, we see influence from the West in the artist’s manner of painting forms using highlight and shading. Volume is more important here than traditional limes.