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色彩:
浅设色装裱形式:
册(折装‧方幅式)创作时间:
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本幅绢对幅纸释文:
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鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:金廷标;题跋位置:本幅;款识:臣金廷标恭绘;书体:楷书;全文: 印记:臣、廷标主题:
主要主题:山水秋景 主要主题:走兽牛 ;次要主题:人物牧童 ;其他主题:山水溪涧、湍泉湍泉;其他主题:山水江河、湖海江河;其他主题:花草 草;其他主题:器用乐器笛子;其他主题:器用服饰(对人)笠帽;其他主题:树木技法:
写意 皴法 人物衣纹描法(粗细线条) 苔点参考资料:
收藏着录: 石渠宝笈续编(干清宫),第二册,页784 收藏着录: 故宫书画录(卷八),第四册,页155 收藏着录: 故宫书画图录,第二十七册,页186-187 内容简介(中文): 金廷标(约西元十八世纪)字士揆,浙江吴兴人。乾隆南巡时,进呈白描罗汉画册,极受皇帝赏识。因而引入内廷为供奉。擅长于画史实风俗人物。金廷标在乾隆朝画院当中,是用笔劲挺,接近浙派画画风的一名画家。他用笔生硬而有力,与当时的院手迥不相同,而也很受乾隆的欣赏。这幅画画着两个牧童,分骑在两头牛上,一人吹笛,一人鼓掌。在林荫溪边,逍遥而自得其乐。 内容简介(英文): Chin T’ing-piao was a native of Wu-hsing, Chekiang province. His tzu (style name) was Shih-k’uei, his birth and death dates are unknown. During Emperor Ch’ien-lung’s inspection tour of the south in 1760 Chin presented to the court an album of Lohans painted in the pai-miao (ink-outline) manner. Consequently he was summoned to continue on as a court painter. Chin’s extant paintings date from between 1760-1767. He excelled at figure painting, but is also known for his flowers, landscapes and architectural paintings. By a bank, thick with grass, is a grove of trees. Grass and leaves and distant trees are depicted with a wet brush. The variance of ink tones from deep to light is effectivd. Two young herdsboys sit atops their respective oxen. One plays the flute, the other claps his hands to the rhythm. The two oxen are comfortable and at ease. The musical sounds of the picture are deep and resonant and together with the scenery provide a pure and remote feeling.