书体:

色彩:

水墨

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

题跋资料:

主题:

主要主题：佛道人物罗汉（应真、尊者） ；次要主题：山水江河、湖海湖海（浪涛）；次要主题：走兽虎 

技法:

白描 工笔 人物衣纹描法(匀称线条) 

参考资料:

收藏着录： 秘殿珠林续编（干清宫），页363 收藏着录： 故宫书画录（卷八），第四册，页155 收藏着录： 故宫书画图录，第二十七册，页188-191 内容简介（中文）： 金廷标（活动于西元一七六０–一七六七年），乌程（今浙江湖州）人，字士揆。工人物、花卉。乾隆南巡时，进「白描罗汉册」，遂得供职内廷，颇得高宗讚赏。廷标喜用挺健之笔，近唐寅画风，在盛清宫廷画家中别具一格。 本幅为「白描罗汉」册之第五开，画一罗汉，骑驭猛虎，行于波涛之上。罗汉双目贲张，一手握拳，神情栩栩如生。全作纯以白描钩勒，衣纹转折顿挫，简劲有力。 内容简介（英文）： Chin T’ing-piao (style name Shih-k’uei) was a native of Wu-ch’eng (modern Hu-chou, Chekiang) who was good at painting human figures and flowers. During the Southern Tour of the Ch’ien-lung emperor (r. 1736-1795), he presented “An Album of Lohans in Plain Outlines.” He subsequently received a position at the Inner Court and was praised by the Ch’ien-lung emperor. Chin T’ing-piao was fond of using a stiff brush in a style similar to that of the Ming dynasty painter T’ang Yin (1470-1523). Thus, among the painters at the Ch’ing dynasty court, Chin T’ing-piao possessed a special style. Depicted in this album leaf is a lohan riding on the back of a tiger as it walks across the water waves. The lohan is in a very spirited stance as he stares with his fierce, wide-open eyes and makes a fist with one hand. The album leaf was painted solely using the plain outline (pai-miao) method. The drapery lines twist and turn, stop and pause, thus possessing power in its terseness.