书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

题跋资料:

主题:

主要主题：花草牡丹 

技法:

写意 没骨 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页157 收藏着录： 故宫书画图录，第二十七册，页340-343 参考书目： 1.〈清　李培雨　画牡丹〉，收入谭怡令、刘芳如、林莉娜主编，《满庭芳　历代花卉名品特展》（台北：国立故宫博物院，2010年十二月初版一刷），页148。 内容简介（中文）： 李培雨，字伯霖，生卒年里待考。初为清末的宫廷画家，辛亥后（1911）居京津地区，以鬻画为生。本幅选自〈画牡丹册〉。画红、蓝、绿三种不同色泽的牡丹珍品，技法介乎没骨与写意之间。落笔点染之际，和缓但不凝滞，纵或未钩描物象轮廓，依然能借助宛若水彩画一般的淋漓墨彩，清楚交叠出花与叶的层次，以及三度空间的立体效果，可谓兼得华丽之形色与潇洒的韵味。(20110102) 内容简介（英文）： Li Peiyu (style name Bolin), whose birth and death dates are unknown, was a court artist in the late Qing dynasty. It is only known that he lived in the Beijing-Tianjin area after the Chinese Revolution of 1911, making a living through painting.This work, selected from “Album of Peony Paintings,” depicts precious examples of peonies in three different colors--red, blue, and green. The technique is a mixture of “boneless” washes and “sketching ideas.” The application of the brush and washes are gentle but not turbid, flowing yet not outlining the motifs. All the same, it is able to convey the moist ink and colors much like a watercolor painting, clearly expressing the intersecting layers of blossoms and leaves while also presenting a volumetric effect of three-dimensional space. This work combines gorgeous colors with an unrestrained manner.(20110102)