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色彩:

装裱形式:

册(折装‧方幅式)

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本幅纸

释文:

印记资料:

鑑藏宝玺：宣统御览之宝

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收藏着录： 故宫书画录（卷八），第四册，页157 收藏着录： 故宫书画图录，第二十五册，页318-319 参考书目： 1.王耀庭、陈韵如，〈清佛延画油画山水图〉，收入王耀庭主编，《新视界 : 郎世宁与清宫西洋风》（台北：国立故宫博物院，2007年初版），页94-97。 内容简介（中文）： 佛延，生平待考。十七世纪初，当西洋传教士携带油画天主母像进入中国，曾被讚誉「眉目衣纹，如明镜涵影， 喁喁欲动，端庄娟秀，非中国画家所能措手。」油画的写实长处，对形象正确的描绘，正足清楚地表达物象，以及人类的各种活动。清朝宫廷中有郎世宁等西洋传教士画家，曾教导中国画家如丁观鹏等学习油画。清宫绘画中富有西洋风，也是特色之一，是以清宫中存有西洋画作品。此即其一。本幅画小屋数间，建立于小山阜之上，旁有树丛，小桥与外界相通，远处数峰如屏。本幅构图、画山、画树均一如中国山水画。所见清宫西洋画均以人物为多，若以西洋画彩做纯如传统山水画笔法构景者，确实是少见，惟因用西洋油彩，色调与中国画相异，别有一番趣味。(王耀庭) 内容简介（中文）： 佛延，生平待考。按清初传教士供奉内廷，曾奉命作西洋画，亦于宫中教授中国人学习洋画，是以清宫中存有西洋画作品。此即其一。 本幅画小屋数间，建立于小山阜之上，旁有树丛，小桥与外界相通，远处数峯如屏。本幅构图、画山、画树均一如中国山水画，惟因用西洋油彩，色调与国画相异，别有一番趣味。 内容简介（中文）： 佛延，生平年里待考。　本册以油彩绘于纸上，画法以传统山水技法为主，然部份画树亦有光暗分明之感。 内容简介（中文）： 依据活计清档，从郎世宁学习的宫廷画家有乌林人佛延，此套册页作者题为佛延，是否即是曾与郎世宁习画者待考。然本册以油彩绘在纸上，画法虽是传统山水技法为主，但是画树部份则有光影明暗的处理效果，且因油彩作画色调与中国画风效果相异，别有一番趣味。此套册页有八开，此次展出其中三开。 内容简介（英文）： According to archival records of the Ch’ing court, a person by the name of Fo-yen from U-lin studied painting under Giuseppe Castiglione (1688-1766). The name attached to this set of album leaves is also given as Fo-yen, but it remains unclear if it is the same person said to have learned painting from Castiglione. The fact that oil colors were painted on paper in this album reveals painting methods mostly differing from the techniques of traditional Chinese landscape painting. Furthermore, the rendering of shadows and the effect of shading in the area of the trees is also quite unusual. The use of and treatment with oils make this work different from that seen in Chinese painting styles and therefore quite unique. This album includes eight leaves, of which three have been selected for this exhibit. 内容简介（英文）： The exact birth and death dates of Fwo Yen are not known. Although brushed with Western-style oil paints on heavily sized paper, the style of this painting follows traditional Chinese landscape modes. The modulation of the oil pigments for light and dark contrasts does, however, lend the work a feeling of three-dimensionality more akin to Occidental tradition. 内容简介（英文）： During the early Ch’ing years, the Catholic missionaries serving at the Court were ordered to not only make oil paintings but also instruct Chinese painters in the art. This accounts for the presence of some oil paintings in the collection of the Ch’ing palace. And the present work is one created under such circumstances. With respect to composition and rendering of mountains and trees, this painting has similar style of representation to that of Chinese drawing; but owing to its being done in oil, it gives different sensation of coloring and tonalities alongside Chinese works.