书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

题跋资料:

主题:

主要主题:山水  ;其他主题:山水江河、湖海 ;其他主题:人物高士(士人、隐士) ;其他主题:树木  

技法:

油画 皴法 苔点 

参考资料:

收藏着录: 故宫书画录(卷八),第四册,页157 收藏着录: 故宫书画图录,第二十五册,页318-319 内容简介(中文): 依据活计清档,从郎世宁学习的宫廷画家有乌林人佛延,此套册页作者题为佛延,是否即是曾与郎世宁习画者待考。然本册以油彩绘在纸上,画法虽是传统山水技法为主,但是画树部份则有光影明暗的处理效果,且因油彩作画色调与中国画风效果相异,别有一番趣味。此套册页有八开,此次展出其中三开。 内容简介(英文): According to archival records of the Ch’ing court, a person by the name of Fo-yen from U-lin studied painting under Giuseppe Castiglione (1688-1766). The name attached to this set of album leaves is also given as Fo-yen, but it remains unclear if it is the same person said to have learned painting from Castiglione. The fact that oil colors were painted on paper in this album reveals painting methods mostly differing from the techniques of traditional Chinese landscape painting. Furthermore, the rendering of shadows and the effect of shading in the area of the trees is also quite unusual. The use of and treatment with oils make this work different from that seen in Chinese painting styles and therefore quite unique. This album includes eight leaves, of which three have been selected for this exhibit.
文章标签: 油彩 技法 主题 简介 山水 郎世宁 效果

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