书体:

色彩:

浅设色

装裱形式:

册(推蓬装‧方幅式)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙

题跋资料:

题跋类别：作者款识；作者：陈舒；题跋位置：本幅；款识：丁未春仲。白下陈舒写。；书体：行书；全文： 印记：忠定名家

主题:

主要主题：山水  ；其他主题：山水溪涧、湍泉 ；其他主题：山水瀑布 ；其他主题：人物高士（士人、隐士） ；其他主题：树木竹 

技法:

皴法 人物衣纹描法(粗细线条) 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第六册，页2683 收藏着录： 故宫书画录（卷八），第四册，页163 收藏着录： 故宫书画图录，第三十册，页340-347 内容简介（中文）： 陈舒，字原舒，一作元舒，号道山，浙江嘉善人，一作华亭（今上海市松江）人，侨居江宁（今南京）雨花台下。顺治六年进士。书似苏轼，工花鸟、草虫，似不经意而多恣趣。尤长画荷，间作山水，疎秀閒冷。 士人独坐静听泉声，其后有竹数竿，冷冷挺秀，侧旁石壁峭立，景极清幽。幅内勾画竹叶，笔甚清劲挺拔，皴石则用小斧劈法，短截刚劲，画人亦不俗。此图构景平实，虽着笔不多，别有一番清逸之气。 本幅选自「国初人山水集绘册」第十开。 内容简介（英文）： Gazing at a WaterfallCh’en Shu (fl. second half of 17th century)Ch’ing Dynasty Ch’en Shu (style name; Yüan-shu, sobriquet; Tao-shan) was recorded as either being a native of Chia-shan, Chekiang or Hua-t’ing (modern Shanghai, Sung-chiang).He later moved to Chiang-ning (modern Nanking) and resided below the Yü-hua Pavilion. In 1649 he received his chin-shih civil service degree. His calligraphy was similar to that of Su Shih (1037-1101). He was good at depicting birds, flowers, insects, and grasses, which are simple yet multifarious. He especially excelled at painting lotuses and also did landscapes of sparse elegance. In this painting, a scholar is seen sitting quietly alone as he listens to the sound of a falling spring. Behind him are several bamboo stalks which appear deserted and beautiful. To the side stands a precipitous rocky cliff, making this a scene of extreme tranquility. The bamboo leaves are depicted with very pure and powerful brushwork. The textured rocks are rendered in the method of small axe-cut strokes which are short and vigorous. The depiction of the figure is not commonplace either. Even though the composition of this scene is ordinary and there are not many brushstrokes, this work possesses an air of purity and elegance.