书体:

色彩:

设色

装裱形式:

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

题跋资料:

主题:

主要主题:山水秋景 ;其他主题:山水云 ;其他主题:山水溪涧、湍泉 ;其他主题:山水瀑布 ;其他主题:树木  ;其他主题:建筑台阁 ;其他主题:建筑房舍 ;其他主题:建筑桥 

技法:

皴法米点皴苔点 

参考资料:

收藏着录: 故宫书画录(卷八),第四册,页71 收藏着录: 故宫书画图录,第五册,页245-246 内容简介(中文): 设色画溪岸景致,幅中一溪蜿蜒斜曲而上,两岸林木郁郁,间有屋宇数椽。远山层叠,泰半罩于雨雾之中。本幅画远山近石之披麻皴纹较不显明,大皆缀以横笔「米点」;画树叶亦不勾勒,率以浓淡不等之墨直接画出,水份饱满,墨趣淋漓。以笔墨结构论此图,乃学元初高克恭(西元一二四八—一三一0年)画法,惟笔力较弱,烘染山岚亦稍觉板滞,为后人学高氏画风之作。 内容简介(英文): This painting in ink and colors includes a foreground dominated by a stream winding diagonally towards the back. The trees on either bank are lush and in the middle are buildings partially hidden. The receding layers of the background mountains and hills are infused with rain-laden clouds and mists.The hemp-fiber texture strokes used to describe the foreground part of the distant mountains are not very clear, while many appear as horizontal "Mi dots." The leaves were not rendered first with outlines, but with varying shades of ink, the tones of which are rich and moist. Judging from the brushwork and composition, the painter was following in the style of Kao K'o-kung (1248-1310). Here, however, the brushstrokes are slightly weaker and the gradation of ink stiffer, indicating that this was done later by an artist following in the style of Kao.
文章标签: 主题 简介

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