书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：五福五代堂古稀天子宝
鑑藏宝玺：八征耄念之宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宝笈三编
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：题跋；作者：清高宗；题跋位置：本幅；款识：癸酉（西元一七五三年）秋日御题；书体：行书；全文：天淡云閒候。秋光触眼新。季鹰贵适志。王粲早伤神。叠巘树开锦。垂厓水逬银。浣花如属咏。兴寄曲江滨。癸酉（西元一七五三年）秋日御题。印记：乾隆宸翰、落纸云烟

题跋类别：作者款识；作者：张宗苍；题跋位置：本幅；款识：臣张宗苍恭绘；书体：楷书；全文： 印记：张、宗苍

主题:

主要主题：山水秋景 ；其他主题：山水溪涧、湍泉 ；其他主题：山水江河、湖海江河；其他主题：山水石磴、栈道 ；其他主题：山水瀑布 ；其他主题：人物高士（士人、隐士）高士；其他主题：人物侍从（侍女、童仆）童仆；其他主题：树木竹 ；其他主题：树木松 ；其他主题：树木  ；其他主题：建筑水榭 ；其他主题：建筑房舍 

技法:

皴法披麻皴人物衣纹描法(减笔) 苔点 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第五册，页2416 收藏着录： 故宫书画录（卷八），第四册，页118 收藏着录： 故宫书画图录，第十三册，页41-42 内容简介（中文）： 张宗苍（西元一六八六－一七五六年），江苏吴县人，字默存、一字默岑，号篁村，晚号瘦竹。善山水，出黄鼎之门。乾隆辛未（一七五一）入都，祇候内廷，为王原祁再传弟子。 此幅山石笔墨苍莽，气势甚佳。先以湿笔淡墨钩出轮廓，层层入深，然后以焦墨枯笔加以皴擦，仍是王司农法门。 御题再书，上幅山齐轮廓切去，以笔墨掩其割痕，故微觉重滞。 内容简介（英文）： Cloudy Peaks and Elegant TreesChang Tsung-ts’ang (1686-1756)Ch’ing Dynasty Chang Tsung-ts’ang was a native of Wu-hsien, Kiangsu. His style names were Mo-ts’un and Mo-ts’en. He was also known as Huang-ts’un and Shou-chu. He excelled in landscape painting and was the student of Huang Ting (1660-1730) and Wang Yüan-ch’i(1642-1715). In 1751 he was summoned to the capital to serve as a court artist. In this painting the artist’s use of brush and ink is rich and beautiful. Pale ink wash was first employed to lay out the composition of the mountains. Then a dry brush dipped in charcoal ink was used to stroke in the textures of the mountains. This painting method was often employed by Wang Yüan-ch’i. In inscribing the work, Emperor Ch’ien-lung (r.1736-1795) was displeased with his first inscription, so that the paper above the silhouette of the mountain was carefully removed and a second inscription written on a new sheet was attached. In order to conceal the join in the paper, the outline of the mountain was painted over the seam. Hence the outline appears somewhat heavy.