书体:

篆书,隶书,楷书

色彩:

装裱形式:

轴

创作时间:

宋太祖干德四年（966）

文字类型:

汉文

质地:

本幅纸

释文:

黄帝阴符经。（楷书）。经曰。观天之道。执天之行。尽矣。故天有五贼。见之者昌。五贼在心。施行于天。宇宙在乎手。万化生乎身。天性。人也。人心。机也。立天之道。以定人也。天发杀机。龙蛇起陆。人发杀机。天地反复。天人合发。万变定基。性有巧拙。可以伏藏。九窍之衺。在乎三要。可以动静。火生于木。祸发必克。奸生于国。时动必溃。知之脩炼。谓之圣人。天生天杀。道之理也。天地。万物之盗也。万物。人之盗也。人。万物之盗也。三盗既宜。三才既安。故曰。食其时。百骸理。动其机。万化安。人知其神而神。不知不神所以神也。日月有数。大小有定。圣功生焉。神明出焉。其盗机也。天下莫不见。莫能知也。君子得之固躬。小人得之轻命。瞽者善听。聋者善视。绝利一源。用师十倍。三反昼夜。用师万倍。心生于物。死于物。机在目。天之无恩而大恩生。迅雷烈风。莫不蠢然。至乐性馀。至静则廉。天之至私。用之至公。禽之制在气。生者。死之根。死者。生之根。恩生于害。害生于恩。愚人以天地文理圣。我以时物文理哲。自然之道静。故天地万物生。天地之道浸。故阴阳胜。阴阳相推而变化顺矣。至静之道。律历所不能契。爰有奇器。是生万象。八卦甲子。神机鬼藏。阴阳相胜之术。昭昭乎进乎象矣。（小篆。隶书。古文）。郭忠恕三体书。安祚勒字。大宋乹德四年（西元九六六年）四月十三日建。（楷书）。

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技法:

参考资料:

内容简介（中文）： 五代宋初书画家郭忠恕（917－977），字恕先，河南洛阳人。先后任职后汉、后周、北宋，最后竟不免贬官流放的命运。郭氏传世作品不多，〈三体阴符经〉为其中之一，于北宋干德四年（966）刻石。〈三体阴符经〉体例沿自魏三体石经，用小篆、古文、分隶三种书体写录道家经书。全作以小篆为主体，每字篆体之下，小字并列古文、分隶，三者可以互释，兼有字书的功用。(20061206) 内容简介（英文）： Kuo Chung-shu, a painter and calligrapher of the Five Dynasties and early Sung, went by the style name Shu-hsien and was a native of Loyang in Honan. He served the dynasties of the Latter Han, Latter Chou, and finally the Northern Sung, but ultimately could not avoid the fate of banishment in his career as an official. Very few of Kuo Chung-shu’s works survive; this one was engraved in stone in 966, in the early years of the Northern Sung. The format of this work originates in the Confucian Classics engraved in the style of three scripts in the Wei dynasty. Here, a Taoist classic has been transcribed in small seal, archaic, and bifurcating clerical script. The main script for the entire text was done in small seal, and underneath each character are small character forms in archaic script and bifurcating clerical script. The characters in three scripts offer a means of cross-reference, serving in some ways like a “thesaurus” of character forms.(20061206)