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本幅纸释文:
德润顿首再拜复。季实教谕即翰学宣除。春中王达善山长过吴。曾奉书去。兹承来翰见答。乃知文旆尚留宁国。方荣甫来。具审履候康胜。且有玄墨之惠。领外多感。今就封去画大小四轴。郭熙风雨图双幅。雪霁山行双幅。许道宁独幅二轴。至望目入。便中更乞回字。以慰远怀。专此以复将命。馀容面领。以尽不宣。四月廿一日。朱德润顿首再拜。(钤封。顿首再拜复。吴季实教谕即宣除。朱德润谨完。)印记资料:
作者印记:朱泽民氏题跋资料:
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收藏着录: 石渠宝笈续编(重华宫),第三册,页1688 收藏着录: 故宫书画录(卷三),第一册,页259 收藏着录: 故宫历代法书全集,第十六册,页120-154、184-189 内容简介(中文): 朱德润(西元一二九四-一三六五年),字泽民,睢阳(今河南商邱)人,流寓吴中(今江苏苏州)。诗师李白,书学王羲之,山水学郭熙。书画遒丽秀润,与元际诸名家相颉颃。着有存复斋集行于世。 行书尺牍致长洲吴儒学教谕,书法婉通流逸,运笔结字皆见赵孟頫影响,惟赵孟頫用圆笔较为秀雅,朱德润则偶用方笔,故不如赵之含蓄韵借。 内容简介(英文): Chu Te-jun, a native of Honan Province, resided in Soochow. In poetry, He studied that of Li Po; in calligraphy, that of Wang Hsi-chih; and in landscape painting, that of Kuo Hsi. His painting and calligraphy were beautifully elegant, much in the manner of other Yüan artists. This letter in running script was written to the Confucian scholar Wu Chi-shih in Soochow. The style is elegant and pure. The use of the brush and the structure for the characters all reveal the influence of Chao Meng-fu, but Chao's use of a rounded brush was more elegant. Chu's brush was not as rounded, so his style is unlike the curving harmony of Chao's. This work is from Traces by Yüan Calligraphers.