书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御赏之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：养心殿鉴藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
收传印记：奎章（半印）
收传印记：天历（半印）

题跋资料:

主题:

主要主题：走兽鹿 ；其他主题：山水秋景 ；其他主题：树木  

技法:

参考资料:

收藏着录： 石渠宝笈初编（养心殿），上册，页667 收藏着录： 故宫书画录（卷五），第三册，页33 收藏着录： 故宫书画图录，第一册，页137-138 收藏着录： 国宝的形成-书画菁华特展，页56-61、303 参考书目： 1.陈阶晋，〈五代人秋林群鹿〉，收入王耀庭、许郭璜、陈阶晋编，《故宫书画菁华特辑》（台北：国立故宫博物院，1987年初版，2001年再版），页64、66。2.陈阶晋，〈五代人秋林群鹿、丹枫呦鹿〉，收入林柏亭主编，《大观- 北宋书画特展》（台北：国立故宫博物院，2006年初版一刷），页261- 262。3.陈阶晋，〈秋林群鹿〉，收入林柏亭主编，《国宝菁华 — 书画‧图书文献篇》（台北：国立故宫博物院，2006年12月），页193。4.李霖灿，〈丹枫呦鹿和秋林群鹿图〉，《故宫文物月刊》，第2期（1983年5月），页49-54。5.陈阶晋，〈五代人秋林群鹿〉，《故宫文物月刊》，第200期（1999年11月），页26-27。6.张错，〈五代乎？宋辽乎？〈秋林群鹿〉及〈丹枫呦鹿〉〉，《故宫文物月刊》，第306期（2008年9月），页14-27。 内容简介（中文）： 无作者名款，画秋日枫林中，群鹿嬉游憩息情景。画法极奇，异于一般传统方法，似受外来影响，具有浓厚装饰趣味。画鹿全以淡墨分染，画树叶先用细笔?轮廓与脉络，再用汁绿渍染，或用粉填，然后淡罩彩色，彩不掩墨，自有光彩浮动，生意荣茂之色。通幅予人精致柔丽感觉。（图画见闻志）载宋仁宗时，辽献千角鹿图，本幅或与此有关。 内容简介（中文）： 无作者名款，画秋日枫林中，群鹿嬉游憩息情景。画法极奇，异于一般传统方法，似受外来影响，具有浓厚装饰趣味。画鹿全以淡墨分染，画树叶先用细笔钩轮廓与脉络，再用汁绿渍染，或用粉填，然后淡罩彩色，彩不掩墨，自有光彩浮动，生意荣茂之色。通幅予人精致柔丽感觉。《图画见闻志》载宋仁宗时，辽献千角鹿图，本幅或与此有关。(20061206) 内容简介（英文）： This hanging scroll, bearing no signature or seal of the painter, represents a herd of deer gathered in a maple forest on an autumn day. Some of the deer stand quietly as others ramble about. The painting method here differs somewhat from traditional Chinese techniques. With its strongly decorative quality, it seems to have been created under the influence of a foreign art style. The deer have been done completely in light ink and washes. The outlines and veins of the tree leaves were first delicately outlined, washes of green applied, then mineral white filled in, and finally more light washes of color added. The colors do not conceal the ink, creating for a brilliant, semi-transparent “floating richness” with its lively hues. The painting thereby exudes a refined quality of soft beauty. An 11th-century record in Comments on Paintings Seen and Heard mentions that paintings of a “thousand deer” were presented to the Sung dynasty under Emperor Shen-tsung (r. 1068-1085) by the Liao dynasty (907-1125) court. This painting may have been related to such a tradition.(20061206) 内容简介（英文）： This anonymous hanging scroll portrays a herd of deer gathered in cold autumn woods. Some of the deer stand quietly while others ramble about. The style here differs from traditional Chinese techniques. With a strong decorative quality, it seems to have been created under the influence of a foreign art style. The brushwork is forceful, yet the deer were done in gentle washes of ink. The leaves were first delicately outlined and detailed. Washes of green were applied, then mineral white, and finally more washes of color. Thus, the brilliant, semi-transparency and "floating richness" of the lively colors were achieved. An 11th-century record mentions a foreign Liao (907-1119) painting of a similar subject that is perhaps related to this work.