书体:

色彩:

浅设色

装裱形式:

轴

创作时间:

元顺帝至正九年（1349）

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：宝笈三编
鑑藏宝玺：宣统御览之宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
收传印记：司印（半印）
收传印记：图书（半印）
收传印记：墨林祕玩
收传印记：蕉林居士

题跋资料:

题跋类别：作者款识；作者：马琬；题跋位置：本幅；款识：至正九年（西元一三四九年）夏六月哉生魄。秦溪马琬文璧。为竹西聘君写于不碍云山楼。；书体：行楷书；全文： 印记：马琬私印、鲁钝生、马琬文璧印章

主题:

次要主题：山水冬景（雪景） ；次要主题：山水石磴、栈道 ；次要主题：树木寒林．枯树 ；次要主题：树木松 ；次要主题：山水江河、湖海江河；次要主题：花草芦苇 ；其他主题：山水瀑布 ；其他主题：建筑房舍 ；其他主题：建筑亭 ；其他主题：建筑寺庙 ；其他主题：建筑桥 ；其他主题：走兽骡．驴 ；其他主题：人物行旅三人

技法:

皴法 苔点 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第四册，页1679 收藏着录： 故宫书画录（卷五），第三册，页246 收藏着录： 故宫书画图录，第五册，页93-94 内容简介（中文）： 马琬（活动于西元一三四二—一三六六年），金陵（今南京市）人。字文璧，号鲁钝。善山水，工书与诗。每遇佳山水，必讬之毫素，辄自题其左，时称三绝。万山积雪之中，多作平岗断壁。山脚碎石分面偏于方形，故有森森然冰山万仞、明洁晶莹之感。全作用笔似刚劲而实圆浑，用墨似简澹而实静穆，盖马文璧画中之别裁者也。根据幅上款题，知此作为至正九年（一三四九）马氏为竹西聘君所画。 内容简介（中文）： 马琬（活动于1342－1366），金陵（今南京市）人。字文璧，号鲁钝。工书善诗，擅画山水。每遇佳山水，必讬之毫素，辄自题其左，时称三绝。万山积雪之中，多作平岗断壁。山脚碎石分面偏于方形，故有森森然冰山万仞、明洁晶莹之感。全作用笔似刚劲而实圆浑，用墨似简澹而实静穆，盖马文璧画中之别裁者。根据幅上款题，知此作为至正九年（1349）马氏为竹西聘君所画。(20110913) 内容简介（英文）： Ma Wan (style name Wenbi, sobriquet Ludun), a native of Jinling (modern Nanjing), was good at calligraphy and excelled at poetry, specializing in landscape painting. Coming upon fine scenery, he would take out his brush and paint it. Always adding a poem to his works, they naturally combine the “Three Perfections” of poetry, calligraphy, and painting. This work shows many plateaus and sheer cliffs amid myriad snow-clad peaks. At the base of the mountains are fragments of rocks that are multi-faceted, but generally squarish. The rows of innumerable frigid mountains evoke a clear, cold and glistening feeling. While the brushwork appears vigorous and strong, it is also rounded. The ink is simple and light but also solid and majestic. The inscription on this unusual work by Ma Wan dates it to 1349 and indicates the recipient as a “Zhuxi Pinjun.”(20110913) 内容简介（英文）： Ma Wan, a native of Nanking, excelled at landscape painting as well as calligraphy and poetry. Coming upon fine scenery, he would often paint it. When including a poem, his works naturally combine the Three Perfections-poetry, calligraphy, and painting.This work shows many plateaus and sheer cliffs amid myriad snow-clad peaks. At the base, of the mountains are fragments of rocks-multi-faceted, but generally squarish. The rows of innumerable frigid mountains evoke a clear, cold and glistening feeling. While the brushwork appears vigorous and strong, it is also rounded. The ink is simple and light, but is also solid and majestic. The inscription on this unusual work by Ma Wan dates it to 1349.