书体:

色彩:

设色

装裱形式:

轴

创作时间:

明神宗万历十一年（1583）

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：养心殿鑑藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
收传印记：北垞藏弆

题跋资料:

题跋类别：作者款识；作者：宋旭；题跋位置：本幅；款识：云峦秋瀑。（隶书）。万历癸未（西元一五八三年）九月廿日。檇李宋旭制。（楷书）。；书体：隶书；全文： 印记：初阳、石门山人、檇李宋旭、宋氏初阳

题跋类别：题跋；作者：冯大受；题跋位置：本幅；款识：秋日冯大受题；书体：行书；全文：玉削群峰倚太空。秋深携眺蹑长虹。琼浆乱喷青天雨。珠箔横翻碧海风。胜地自应栖化鹤。高踪谁不羨冥鸿。同来词客俱陶谢。赋就明珠落掌中。秋日冯大受题。印记：七十二峰深秀处、锦袍仙、吴中文献、冯大受印

主题:

主要主题：山水秋景 主要主题：树木松 ；其他主题：树木  ；其他主题：器用文玩（琴棋书画）棋；其他主题：建筑寺庙 ；其他主题：山水山径 ；其他主题：山水瀑布 ；其他主题：人物高士（士人、隐士） ；其他主题：人物侍从（侍女、童仆）童仆

技法:

皴法 人物衣纹描法(粗细线条) 苔点 

参考资料:

收藏着录： 石渠宝笈初编（养心殿），上册，页657 收藏着录： 故宫书画录（卷五），第三册，页430 收藏着录： 故宫书画图录，第八册，页165-166 参考书目： 1.林莉娜，〈明宋旭云峦秋瀑图〉，收入林莉娜编，《秋景山水画特展图录》（台北：国立故宫博物院，1989年十月初版），页77。 内容简介（中文）： 宋旭，（西元一五二三至一六○二）嘉兴人，字初旸，号石门。后为僧，法名祖玄。善山水，兼长人物。万历间，名重海内。曾绘白雀寺壁，时称妙绝。此帧成于万历癸末，为石门五十九岁作。画两峰并峙，一水中分，瀑流迤逦而下。高峰之间，与瀑流之上，有寺宇水阁。其下则高泉遽落，乱石小径在长松间。两翁观泉，指顾而谈。皴笔皆用湿墨小牛毛，而以渴苔提破，有疏朗之致。 内容简介（英文）： Sung Hsü was a native of Chia-hsing (Chekiang province), his style name was Ch’u-yang and his sobriquet Shih-men. In his later years he became a Buddhist monk and adopted the name Tsu-hüan. As a painter he was good at landscape and also figure subjects. In the Wan-li period (1573-1620) he achieved nation wide fame and his wall paintings in the Pai-ch’iieh monastery were considered exceptionally marvellous. This work was done in 1583, when the artist was in his 59th year. It depicts mountain ridges rising up into two peaks which seem to bow to one another across the torrent separating them.Through the gorge water cascades down a twisting bed. Between the mountain slopes and over the water sit temple buildings and pavilions. Below, the waters fall suddenly from their high mountain source to where a narrow path winds among tumbled boulders and tall pines. Two old men rest there, watching back to the waterfall and chatting. The painter has used his brush, well loaded with ink, predominently in the technique called “small ox-hair” texture stroke.