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本幅纸引首纸拖尾纸释文:
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鑑藏宝玺:嘉庆鑑览之宝题跋资料:
题跋类别:作者款识;作者:文征明;题跋位置:本幅;款识:一川图。征明。;书体:行书;全文: 印记:文征明印主题:
主要主题:山水春景 主要主题:山水江河、湖海江河;其他主题:树木松 ;其他主题:树木杨柳 ;其他主题:建筑房舍 ;其他主题:人物高士(士人、隐士)高士;其他主题:人物渔夫、船夫船夫;其他主题:人物百姓 ;其他主题:树木 ;其他主题:船帆船 ;其他主题:建筑水榭 ;其他主题:建筑城墙技法:
写意 皴法 人物衣纹描法(减笔)参考资料:
收藏着录: 石渠宝笈三编(延春阁),第四册,页1899-1900 收藏着录: 故宫书画录(卷四),第二册,页192 收藏着录: 故宫书画图录,第十九册,页123-126 参考书目: 1.江兆申,〈文征明一川图 卷〉,收入国立故宫博物院编,《吴派画九十年展》(台北:国立故宫博物院,1975年初版,1976年再版,1981年三版),页314。 内容简介(中文): 文征明(西元一四七○至一五五九年),初名壁,字征明,后以字行,亦字征仲,号停云生,衡山居士,长洲人。诗文书画并佳,画师沈周,为明四家之一。 一川图为张一川画。清溪一道,两岸城村,帆影往来,汀舟舣桅,如使人置身春日江南,可以怡情永日。用笔造意,无取奇突,皆自然精诣。 内容简介(英文): View From the Riverside Wen Cheng-ming (1470-1559) Ming Dynasty Wen Cheng-ming was a native of Ch’ang-chou (soochow), Kiangsu. He was originally named Pi; later he took his style name Cheng-ming for his given name. Wen Cheng-ming excelled in all the literati arts: poetry, prose, calligraphy and painting. He studied painting with Shen Chou and became one of the Four Masters of the Ming. “View From the Riverside” presents a panoramic vista of both banks of a river. Trees, cottages and villagers are all included. Boats dock on the sandy banks and furl their sails. Such a scene certainly seems able to transport us to Kiang-nan on a spring day. The brushwork and composition have been worked without pretension, and the effort has succeeded admirably.