书体:

色彩:

设色

装裱形式:

册(折装‧纨扇式)

创作时间:

文字类型:

质地:

本幅绢对幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：御书房鑑藏宝
鑑藏宝玺：古希天子
鑑藏宝玺：八征耄念之宝
鑑藏宝玺：太上皇帝之宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：石渠宝笈

题跋资料:

题跋类别：题签； 裱纸 ；书体：楷书；全文：郭忠恕宫中行乐。

题跋类别：题跋；作者：清高宗对幅 ；书体：行书；全文：（乾隆癸卯御题。文不录。）印记：干、隆

主题:

主要主题：山水夜景（月景）夜景主要主题：建筑宫殿 ；其他主题：山水奇石 ；其他主题：人物官员（臣） ；其他主题：树木  ；其他主题：树木松 ；其他主题：建筑庭院 ；其他主题：器用家俱（屏风）榻；其他主题：器用花器奇石盆；其他主题：器用灯笼 

技法:

界画 皴法 人物衣纹描法(减笔) 

参考资料:

收藏着录： 石渠宝笈续编（御书房），第四册，页2056 收藏着录： 故宫书画录（卷六），第四册，页210 收藏着录： 故宫书画图录，第三十册，页34-39 参考书目： 1.本社，〈五代郭忠恕宫中行乐〉，《故宫文物月刊》，第53期（1987年8月），页1。2.林莉娜，〈宫中行乐〉，收入何传馨主编，《文艺绍兴：南宋艺术与文化‧书画卷》（台北：国立故宫博物院，2010年十月初版一刷），页384。 内容简介（中文）： 设色界画宫苑楼阁人马。人马皆点粉，极细，不能悉辨。盖画两人骑马上，各有宫女拥簇之，后从宫扇二。又有内宫数簇远侍。原籤标为郭忠恕，惟画风已入南渡。为故宫宋人合璧书册中之一开，着录见石渠宝笈续编二O五六页，故宫书画录卷六．二一O页。 内容简介（中文）： 殿阁群组宏大精丽，左右配以朵殿，园内主殿与亭轩以游廊与步径串连，多层次空间变化增添造境趣味。皇家园囿长松杂卉，浓翠蔽日。广场一人跨骑白马，后妃侧身正欲上马，内宫侍从拥簇随侍。南宋《苕溪渔隐后集》有云：「翠华欲幸长生殿，立马楼前待贵妃；尚觅君王一回顾，金鞍欲上故迟迟。」本幅可能取此主题写唐明皇与杨贵妃游幸花园故事。原订为郭忠恕（？－977），惟画风已入南渡。(20101015) 内容简介（英文）： This painting depicts a grand and opulent palace complex with halls on either side of the main building in a garden, which is connected with other buildings via corridors. Variations to the layers of space add to the delight of the scenery as well. This imperial garden features tall pines and many flowers, creating for a verdant and shady scene. In the square is a person riding a white steed with an imperial consort shown in profile about to get on a horse. Groups of palace ladies are also in attendance. Latter Collection of the Fisherman-Recluse at Tiao River from the Southern Song is a poem that reads, “In verdant splendor of longing for an imperial meeting at Changsheng Palace, he mounts a horse before the building with concubines in attendance. Still searching for the ruler in looking back, she hesitatingly gets on the golden saddle in longing.” This work therefore might illustrate the story of the Tang emperor Minghuang and his famous concubine Yang Guifei on a trip to the imperial gardens. Although originally attributed to the Five Dynasties artist Guo Zhongshu, the style here is of the Southern Song instead.(20101015) 内容简介（英文）： This painting depicts figures and horses in a palace garden. The architecture is rendered in the finely-detailed, ruled lines of the "boundary painting" technique. Figures and horses are touched in with mineral white pigment and are so fine as to be barely identifiable. Two figures are shown on horseback, each surrounded by a group of palace ladies. Behind them two figures carry large round "palace fans". Additional groups of attendants watch from a distance. The label strip for this album leaf attributes it to Kuo Chung-shu of the 10th century, but the style is that of the Southern Sung. The painting is a leaf in the album Sung-jen ho-pi hua.