书体:

色彩:

装裱形式:

册(推蓬装‧方幅式)

创作时间:

文字类型:

质地:

本幅纸对幅洒金笺纸

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
收传印记：团香结缘之居
收传印记：墨农

题跋资料:

主题:

技法:

参考资料:

收藏着录： 故宫书画录（卷六），第四册，页39 收藏着录： 故宫书画图录，第二十二册，页206-211 参考书目： 1.江兆申，〈沈周疏林亭子 扇〉，收入国立故宫博物院编，《吴派画九十年展》（台北：国立故宫博物院，1975年初版，1976年再版，1981年三版），页298 - 299。 内容简介（中文）： 沈周（西元一四二七至一五○九年）字启南，号石田，亦称白石翁，江苏长洲人。能诗文，工书法，又善画，山水、花果、禽、鱼、走兽、人物，样样俱能。作品造型稚拙，用笔钝劲，用墨厚重，予人质重有力，古趣盎然之感。卒成明四大家之首，幷称「沈文唐仇」。 「写意册」作墨笔山水、人物、石榴、斑鸠、枇杷、青菘、芙蓉、橘、鸡冠等，水墨居多，间有设色者，亦尚简淡。每开之对幅均附作者题诗，惜未署年款，沈周另有六十八岁绘之写生册，笔墨精甚，堪与本册参酌比对。 内容简介（中文）： 沈周（西元一四二七－一五○九年），江苏长洲人。字启南，号石田。又称白石翁。为人宽厚有度，能诗工书，又善画，作品造型雅拙，用笔钝劲，用墨厚重，予人质朴有力，古趣盎然之感。为明季四大家之首。 本册十六对幅，推篷装，上幅自题诗，下幅为画，题材冗杂，有墨笔及设色山水、人物、花卉、果疏、羽毛等。惟与盛壮之年相比，此册略觉笔力稍弱。 内容简介（英文）： Sketches from LifeShen Chou (1427-1509)Ming Dynasty Shen Chou (style name Ch’i-nan; sobriquets Shih-t’ien and Pai-shih-weng) was a native of Ch’ang-chou, Kiangsu. A man of broad and profound character, he was skilled at poetry and calligraphy, and especially gifted at painting. In his works, the forms have a quality of elegant naivete. He wielded the brush with force and bluntness, using rich and thick ink. His works convey a quality of forceful plainness as well as an abundantly archaic flavor. Shen Chou became known as one of the Four Great Masters of the Ming. In the present album, the leaves are folded horizontally and the upper portion mounted with poems inscribed by Shen Chou and the lower galf with the paintings. There are various subjects portrayed in these paintings done in monochrome ink as well as color, including landscapes, figures, flowers, fruits, and birds. Compared to the strong brushwork of his later years, however, the style of this album appears relatively weak. 内容简介（英文）： Album of SketchesShen Chou (1427-1509)Ming dynasty Shen Chou, whose style name was Ch’i-nan and sobriquets Shih-t’ien and Pai-shih weng, was a native of Ch’ang-chou, Kiangsu. He was good at poetry and prose as well as calligraphy, in addition to excelling in painting. He was skilled at all kinds of subjects: landscape, fruits and vegetables, birds, fish, animals, and figures. His forms contained a quality of tender naiveté. He wielded the brush with force and bluntness, using rich, thick ink. His works convey a feeling of substance and vigor as well as an abundant antique mood. He is recognized as the primary member of the Four Masters of the Ming dynasty. This album contains renditions of landscapes, figures, pomegranate, ringdove, loquat, cabbage, hibiscus, tangerine, cockcomb, and so forth. These are mostly in ink monochrome, though some are lightly colored. Every leaf contains a poem by the artist on the facing page. The album is undated. Shen Chou painted another album of sketches when he was 67 years old; the refined brushwork compares closely with the album.