书体:
色彩:
水墨装裱形式:
册(推蓬装‧方幅式)创作时间:
文字类型:
质地:
本幅纸对幅纸释文:
印记资料:
收传印记:式古堂书画印题跋资料:
题跋类别:作者款识;作者:曹知白;题跋位置:本幅;款识:至正廿又二年(西元一三六一年)。作于常清静斋。知白。钤印一。云西老人。;书体:行楷书;全文: 印记:云西老人题籤 裱纸 ;书体:楷书;全文:曹知白远山踈树图。主题:
主要主题:山水 ;其他主题:山水江河、湖海 ;其他主题:树木 ;其他主题:树木松技法:
皴法披麻皴参考资料:
收藏着录: 石渠宝笈续编(重华宫),第三册,页1687 收藏着录: 故宫书画录(卷六),第四册,页182 内容简介(中文): 曹知白(一二七二-一三五五年),华亭(江苏上海)人。字又玄,号云西。至元(一三三五-一三四○年)间,为崑山教谕。善画山水。师法郭熙。一河两岸,前景坡石上有松树数株,枝叶寥落。远处遥岑,坡势舒缓。全国墨色雅淡,山石树木以干笔皴擦,十分松秀。构图简单,意境萧索空灵,为一平淡天真之作。 内容简介(英文): Ts'ao Chih-po was a native of shanghai. His style name was Yu-hsüan; his sobriquet was Yün-hsi. During the Chih- yüan era (1335-1340), he was an instructor of Confucian canons at K'un-shan prefecture. He excelled at landscape painting, and followed the style of the Sung master Kuo Hsi. This painting depicts a river scene. On a rocky slope in the foreground stand several pines which have lost most of their needles. Gentle mountain sloped ascend in the far distance. Throughout the scroll, the use of ink is refined and light. The artist used dry, scumbled brushwork for the texture strokes in the mountains, rocks, and trees, for an effect both relaxed and refined. The composition is simple; desolation, mystery, spaciousness compose the mood of this native work.