书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：宣统御览之宝
收传印记：宣龢
收传印记：梁清标印
收传印记：秋碧（半印）
收传印记：子孙保之
收传印记：静（半印）
收传印记：宋氏家藏

题跋资料:

题跋类别：题签； 裱纸 ；书体：楷书；全文：胡瓌回猎图。

主题:

主要主题：人物蕃族猎人三人主要主题：走兽马马三匹；次要主题：走兽狗狗三只；其他主题：花草 草；其他主题：花草荆枝 ；其他主题：器用马鞍 ；其他主题：器用服饰（对人）帽。配刀

技法:

工笔 皴法 人物衣纹描法(匀称线条) 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第五册，页2499 收藏着录： 故宫书画录（卷六），第四册，页185 收藏着录： 故宫书画图录，第二十九册，页192-197 参考书目： 1.陈阶晋，〈胡瓌出猎图、胡瓌回猎图〉，收入林柏亭主编，《大观- 北宋书画特展》（台北：国立故宫博物院，2006年初版一刷），页267- 269。2.林柏亭、张华芝，〈五代后唐胡瓌回猎图〉，收入林柏亭、张华芝编，《画马名品特展图录》（台北：国立故宫博物院，1990年元月初版），页83-84。3.彭慧萍，《台北故宫藏《出猎图》、《回猎图》之成画年代暨意涵析探》，国立师范大学美术研究所硕士论文，2000年。 内容简介（中文）： 本幅设色雅淡，画黄土一片，杂以稀疏蓑草的塞外平远风光。图绘骑者三人，各抱一只嘴部尖长、胸宽腰细的猎犬。所画之马，耳似经剪裂，鼻孔宽大，马腿上烙有印记，鞍具极其精美，描绘细致生动。画中未见描写任何掳获的猎物，画名或与院藏另幅画风及尺寸相似的「出猎图」相互倒置。 作者传为胡瓌，契丹人，约活动于九、十世纪之间，素以精于描绘塞外风光及人马而闻名，因以名之。(20061206) 内容简介（英文）： This painting, with its light and elegant coloring, describes a scene of loess-covered landscape, where a few scattered grasses and plants in a level-distance composition appear in an area corresponding to the north of China proper. The work depicts three figures on horseback, each accompanied by or holding a breed of hunting dog with a slender snout and body. The ears of the horses appear to have been clipped and their nostrils widened, and the hindquarters of the horses also have been branded. The saddles and riding equipment are extremely refined and rendered with exceptional detail and lifelikeness. With no prey shown in this painting, perhaps its title should be reversed with the other work of similar style and dimensions in the Museum collection entitled “Going Out on the Hunt”. This work has been traditionally attributed to Hu K'uei, a member of the Khitan people active approximately from the 9th to 10th centuries. Known for his skill at rendering scenery on the steppes and horses with figures, he became famous for this subject matter.(20061206)