书体:

色彩:

水墨

装裱形式:

册(推蓬装‧折扇式)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

题跋资料:

题跋类别：作者款识；作者：李世倬；题跋位置：本幅；款识：写钱进士笔意。李世倬。；书体：行书；全文： 印记：倬印

主题:

主要主题：翎毛  ；其他主题：花草梅（白．红．蜡梅） ；其他主题：树木竹 

技法:

无皴 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页166 内容简介（中文）： 李世倬（？－西元一七七0年），奉天（今辽宁沈阳）人。字天章，一字汉章，号榖斋，别号十石居士。李氏为指墨大家高其佩甥，善画山水、人物、花鸟、果品，笔意秀隽，喜以焦墨细擦，颇得轻重浅深之致。本幅为「名人便面画册」第四开，以断续之笔写梅影横斜，一禽独栖于干上。白梅用圈瓣法，背景则假淡墨晕开。通幅虽未敷彩，然以笔致细腻娟秀，自有一派雅洁的情味洋溢楮素间。 内容简介（英文）： Li Shih-chuo (style names T’ien-chang and Han-chang; sobriquets Ku-chai, Shih-shih chü-shih) was a native of Feng-t’ien (modern Shen-yang, Liaoning). Li Shih-chuo was the nephew of the great finger painter Kao Ch’i-p’ei, and Li excelled at painting landscapes, figures, birds and flowers, and vegetables and fruits. Li’s brushwork was elegant and outstanding; he was fond of delicately using dry ink, thereby achieving the utmost in contrasts between heavy and soft applications of dark and light ink. In this album leaf, Li Shih-chuo depicted with disconnected brushwork shadowy plum blossoms criss-crossing. A bird can be seen perched alone on the tree trunk. The white blossoms were rendered using the circular petal method and provided expansive halos of light ink wash as a background. Although no colors were applied, the brushwork makes the entire painting appear utmost in delicate smoothness and beautiful elegance. Emerging from this atmosphere of elegant pruity is the fullness of simplicity. 内容简介（英文）： 1.刘芳如，〈清李世倬梅竹栖禽图〉，收入国立故宫博物院编辑委员会编，《画梅名品特展》（台北：国立故宫博物院，1991年元月初版），页101。