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缚鸡行。小奴缚鸡向市卖。鸡被缚急相喧争。家中厌鸡食虫蚁。不知鸡卖还遭烹。虫鸡于人何厚薄。吾叱奴人解其缚。鸡虫得失无了时。注目寒江倚山阁。负薪行。夔州处女发半华。四十五十无夫家。更遭丧乱嫁不售。一生抱恨长咨嗟。土风坐男使女立。应当门户女出入。十犹八九负薪归。卖薪得钱应供给。至老双鬟只垂颈。野花山叶银钗并。筋力登危集市门。死生射利兼盐井。面粧首饰杂啼痕。地褊衣寒困石根。若道巫山女粗丑。何得此有昭君村。最能行。峡中丈夫绝轻死。少在公门多在水。富豪有钱驾大舸。贫穷取给行艓子。小儿学问止论语。大儿结束随商旅。欹帆侧柂入波涛。撇漩捎濆无险阻。朝发白帝暮江陵。顷来目击信有征。瞿塘漫天虎须怒。归州长年行最能。此邦之人气量窄。误竞南风疎北客。若道土无英俊才。何得山有屈原宅。己酉（西元一七八九年）端阳后。澄怀园学书。坡公尝书此诗。殊未见也。石菴刘墉。印记资料:
作者印记：飞腾绮丽题跋资料:
题跋类别：签；作者：谭泽闿包首 刘石菴行书杜诗卷子。甲寅(西元一九一四年)三月得于上海。瓶斋珍秘。印记：缾斋秘箧主题:
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收藏着录： 谭伯羽谭季甫先生昆仲捐赠文物目录，页156-157.249-250 网页展示说明 刘墉（西元１７２０？１８０４），山东诸城人。字崇如，号石菴。乾隆十六年（１７５１）进士，官至体仁阁大学士，諡文清。其书法最初从元代赵孟頫入手，至中年方自成一家，以魏晋为师，笔意古厚。 本幅为刘墉书写杜甫诗句之手卷，书于水红色、钩金花的纸张上，十分别致。起始的一首诗题名为「缚鸡行」，叙述小仆绑着鸡要到市中去卖，引起了诗人对人、鸡、虫三者间的一些感概，内容颇有意趣。至于在书法方面，圆润婉转的字体，看似柔软无骨，实际上却是将劲道隐藏于丰厚的外貌中，相当的内敛，前人评论刘墉的书法为棉里裹针，应即此意了。 网页展示说明 Liu Yung (tzu Ch'ung-ju, hao Shih-an, posthumous title Wen-ch'ing)was a native of Chu-ch'eng, Shantung province. In the 16th year of the Ch'ien-lung reign (1751) he passed the chin-shih examinations and was appointed Academician of the T'i-jen Pavilion. His calligraphy style was initially inspired by the Yuan master Chao Meng-fu, but in his middle years he established his own style. The influence of calligraphy from the Wei and Chin dynasties is apparent in the archaic style of his later works. This handscroll is an exquisite rendition of verse by Tu Fu, written on light rose paper with gilt hooked-cloud patterns. The opening poem, entitled "Walking with a Bound Chicken," is an account of a young servant who binds up a chicken to sell at the market. The poet gives a compelling description of the feelings evoked by the subject. Liu Yung's brushwork is full and gracefully rounded. Beneath its supple and boneless appearance, however, is concealed a latent power of immense reserve. For this reason, the brushstrokes of Liu Yung have aptly been compared to needles wrapped in cotton.
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